Showing posts with label Velvet Underground. Show all posts
Showing posts with label Velvet Underground. Show all posts

Sunday, October 27, 2013

Lou Reed 1942-2013

After hearing the news today, I find I am still not able to rationally discuss the impact of Lou Reed on my life.

I remember someone once remarked that the Velvet Underground only had about 200 fans, "but every one of them, started a band." And so, the legend was born; Lou was a legend to other legends. It is hard to describe the impact his work had on those of us who felt marginalized, those of us on the outside.

In so many ways, you had to be there.

I got a tattoo inspired by Lou. Early in recovery, I decided I did not want to be that heartless junkie in the middle-section of Street Hassle, who declares he won't wear his heart on his sleeve, will not become emotional when faced with the death of a stranger.

I knew that I did want to be that person, and that desire, that hope, is what prompted me to save my own life, to search for something better.

I do want to wear my heart on my sleeve. And so I got tattoo of a heart there, to remind me.

Goodbye dear friend. It hurts so much to lose you.

~*~



Some people got no choice
and they can never find a voice
To talk with, that they can even call their own
So the first thing that they see
That allows them the right to be
Well, they follow it.

You know, its called
Bad luck.




(from Street Hassle by Lou Reed)

~*~

We will be discussing Lou Reed's life and work on the radio show tomorrow.

And I hope to play this:

Rock and Roll - Velvet Underground



You know her life was saved by rock and roll.

~*~

Edit and Correction, from the New York Times, it was Brian Eno who said it, and here is their direct quote:

The composer Brian Eno, in an often-quoted interview from 1982, suggested that if the [The Velvet Underground]’s first record sold only 30,000 records during its first five years — a figure probably lower than the reality — “everyone who bought one of those 30,000 copies started a band.”

~*~

EDIT AGAIN 10/28/2013: I was really surprised to find this on YouTube, because, well, it just defies description. It's an 8-minute (spoken) story, and ... to say more is to ruin it. (Just one thing: if you start listening, please continue to the end.)

However, I don't mind telling you, I know the whole thing by heart and can recite it verbatim from memory: "Waldo Jeffers had reached his limit..."

I have never before admitted that out loud. But there it is.

The Gift - Velvet Underground



PS: Happy Halloween! ;)

Friday, October 8, 2010

You'd be surprised there's so much to be done

We pause for FRIDAY RANDOM FOUR!

Yes, I know the meme is officially FRIDAY RANDOM TEN, but I don't have the time for ten and barely have time for four. (Admittedly, I insist on editorializing about my music, which consumes valuable blogging time!)

~*~

Serious movie geeks will recognize the following lines... Mr Daisy and me are currently arguing about who actually wrote them, Orson Welles or Herman Mankiewicz? (Both of us agree that we used to know that stuff.) (((sigh))) I am unable to locate Pauline Kael's invaluable Citizen Kane Book, which every home should own.

Googling, I find that the consensus is Mankiewicz. I think of it as 'the parasol story':

A fellow will remember a lot of things you wouldn't think he'd remember. You take me. One day, back in 1896, I was crossing over to Jersey on the ferry, and as we pulled out, there was another ferry pulling in, and on it there was a girl waiting to get off. A white dress she had on. She was carrying a white parasol. I only saw her for one second. She didn't see me at all, but I'll bet a month hasn't gone by since that I haven't thought of that girl.
And here is mine.

Giving Kenny Loggins all due respect for his wonderfully delightful tune... although I find his various folkie versions somewhat sad and melancholy. The hit version is below, and it's suitably sprightly and sweet, as a childhood melody should be.

I first heard it in 1970; notably, as I was exiting my own childhood... the angst of adolescence was taking over, and I recognized the child-consciousness in the song as something that had passed. I suddenly realized I was no longer a child.

The song is simply a work of art; it has always made me indescribably happy. And you know, I'll bet a month hasn't gone by that I haven't thought of the lines--
You'd be surprised there's so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
House at Pooh Corner - Nitty Gritty Dirt Band (song starts at about 18 seconds in)



~*~

When you cross David Bowie, Bob Dylan, Evelyn Waugh and a multitude of psychedelic drugs, you get the following amazing song.

It only tips over into excessive verbiage once, but it's a whopper. I could do without the Waughish line: He's Chameleon, Comedian, Corinthian and Caricature. Okay, enough British alliterations, we know how smart you are! But since this is from a very early Bowie album, Hunky Dory, I will overlook it, since he was still establishing his genius. He probably felt Waugh impersonations were necessary. (The Dylanesque lines are perfect.)

Although Bowie later claimed the song made no sense, I find that it makes a lot of sense when you learn that Bowie's stepbrother was locked up for schizophrenia (also the subject of the song All the Madmen; caution, disturbing old insane-asylum images on YouTube version)... and BROTHERS is the name of the song, after all. Lots of people have also read a gay subtext into the song.

The Bewlay Brothers is chock-full of lovely, lyrical poetry, such as:
I was Stone and he was Wax
So he could scream and still relax
Unbelievable
And we frightened the small children away
If you have ever had a compatriot or comrade who was brilliant and mercurial... if you ever followed a guru... if you ever belonged to a cult or similarly tight-knit group? This is for you.

And the solid book we wrote can not be found today.

The Bewlay Brothers - David Bowie



We were so turned on
By your lack of conclusions
.

~*~

Special dedication time! This is for my own Sister Ray! :)

I was dumbfounded when I saw Lou Reed and Laurie Anderson talking to Charlie Rose, whilst Laurie's little dog sat nestled in her lap. HER DOG. She brings the dog to PBS for an interview? With LOU REED?!? Momentarily confused, since I would not leave my dog with the Velvet Underground, not even in a TV studio.

Then I am reminded of the Buddhist lesson of impermanence, and the fact that the Lou who lives with Laurie (and her dog, presumably), is most assuredly NOT the youthful author of SISTER RAY. (Lord have mercy, are we middle aged or what?)

If you can listen to all 8 minutes and 41 seconds, you are hard core! If not, don't feel bad; usually only punk rockers are completely hypnotized by the song... and if you are into punk? BEHOLD YOUR KING. (And try to forget that this man now lives with a woman who gives interviews with her little terrier on her lap.)

Lyrics kindly linked, in the event you'd like to sing along.
Rosie and Miss Rayon
They're busy waiting for her booster
Who just got back from Carolina
She said she didn't like the weather
They're busy waiting for her sailor
Who's big and dressed in pink and leather

Sister Ray - Velvet Underground (NSFW)



WAVES TO MY BEST BUD SISTER RAY! ;)

~*~

And my semi-official FALL FOR GREENVILLE tune... used at this time and in this space last year.

I wondered why the Swedes in this video weren't acting like Texans, enthusiastically tossing beer cans, thongs and whatnot at ZZ Top, when one of my commenters schooled me about the ways of Swedes: these people are too stoned to move.

Of course, that makes total sense; so sorry I underestimated yall! Party on, Swedes!

Party on the Patio - ZZ Top

Sunday, September 7, 2008

Dead Air Church - I'll be your mirror

If you've never seen Nan Goldin's collection of photographs by the same name, it would serve you well to find them. They are perfectly joined to this song, in my mind. Once you see them, they will be forever connected in your head also. She is amazingly talented.

If you've never seen the movie loosely based on Goldin's life (High Art), please check that out too. Wikipedia says the photos in the movie were based on Goldin's, not really commenting directly on the story itself. (Ally Sheedy, Patricia Clarkson and Radha Mitchell are all quite outstanding as the lead trio!) I've seen the movie maybe, what, a dozen times? (Trailer included below.) I always get something new out of it every time. If you have ever been emotionally involved with an addict (as lover OR friend) this is required viewing; consider it as important as your reading list about co-dependency. (Nan Goldin's first showing/book of photos was titled The Ballad of Sexual Dependency, not surprisingly.)

The lyrics of this song (by Lou Reed) are childlike, sweet, and filled with love. This is what Lou felt for Nico. We know that Nico's life was often tortured and unpleasant, may her soul rest in peace. (Also recommended: Nico Icon) Hers was not a happy life.

Although we can reflect those we love, it is no guarantee they will see themselves as we see them. All we have is our attempt to show them what we see. This song reflects that aching desire, so perfectly.

The desire to be the light on the door, to show that they're home.


~*~

I'll be your mirror
Reflect what you are
in case you don't know
I'll be the wind, the rain and the sunset
The light on your door
to show that you're home

When you think the night has seen your mind
That inside you're twisted and unkind
Let me stand to show that you are blind
Please put down your hands
cause I see you

I find it hard to believe you don't know
The beauty that you are
But if you don't let me be your eyes
A hand in your darkness
so you won't be afraid

When you think the night has seen your mind
That inside you're twisted and unkind
Let me stand to show that you are blind
Please put down your hands
cause I see you

I'll be your mirror


~*~

The Velvet Underground & Nico - I'll be your mirror

[via FoxyTunes / The Velvet Underground]



Trailer - High Art (1998)

Thursday, June 12, 2008

Her life was saved by rock and roll

Today: nostalgic musical interludes. Run away now!!!

Looking over my old posts, I was horrified I didn't blog this video for my obituary of the Outlaws' Hughie Thomasson. Then I realized, I didn't yet know how to embed videos!

I know now, so I feel obliged to post it.

Just keep in mind, this isn't just a SONG (there's no video)--it's an ANTHEM, and just like the 1812 Overture or something, it just can't be any shorter. Just so you know.

I assume only the Deadheads and/or southerners will stick around for all 10 minutes! Yall have heard of "dueling banjos"? The last two minutes of this song is "dueling electric guitars"--and a more righteous noise you ain't likely to hear in this lifetime.

Green Grass and High Tides - The Outlaws

[via FoxyTunes / The Outlaws]

~*~

On Sunday, I mentioned my magical thinking.... and this is exactly the kind of thing that reinforces it: I have been looking for the following song since the advent of the net, literally, for well over a decade. I Googled the lyrics; I tried in vain to remember the name of the band. Was I spelling it wrong? No sign of it. It was a favorite of someone I knew, who died in November of 1979. Were we the only two people who heard the song? It was like a phantom. He is gone, the song is gone...and truly, it is like there is no record of him anywhere. If I could find the song, it would prove---what? That he isn't gone either. He is somewhere.

His birthday was June 10th, which started me looking for it all over again.

It was posted for the first time, yesterday, the 11th.

(See, "coincidences" like that are just too MUCH for me!)

And so, for Keith Alan Koon, at long last: Music Eyes.

He had them.

Music Eyes - Heartsfield (1974)



~*~

This song goes out to ex-Plexus (Bay Area feminist newspaper, published approx 1974-1983) news editor Kelly Eve McRae, another person it is virtually impossible to locate. Unfortunately, there is a Christian artist with the name "Kelly McRae"--rendering most searches maddeningly hopeless. (I know they aren't the same person, since they appear to be several decades apart in age.)

If you're out there, drop me a line.

More magical thinking: she wore her hair like this, too.

Temptation - New Order

[via FoxyTunes / New Order]

~*~

And finally, the song featuring the title of this post... I was over five years old (the age of the song's precocious protagonist) when I first heard it, but you know, not by much. If only they had allowed the Velvets on TV, I could have seen Maureen Tucker for myself and known that YES! There are WOMEN DRUMMERS! It might have changed my life. By the time I saw Karen Carpenter, they had already foisted the violin on me. (And besides, they made her stop playing the drums, too.)

The bang-up remake of this song by Mitch Ryder and the Detroit Wheels, inserted "Detroit station" in place of "New York station"--so I guess we all fill in our hometowns, if we identify with the story.

And ain't it the truth?

The Velvet Underground - Rock and Roll

[via FoxyTunes / The Velvet Underground]