Waiting for the End of the World

~*~

Waiting for the End of the World - Elvis Costello

Radio radio

I got through my second radio broadcast! (((pants))) We still don't have a podcast yet, but I am assured it is in the works. (Commercial: The South Carolina Green Party presents THE DAISY DEADHEAD SHOW!!! Every Saturday at 9-10am on WFIS radio! You can listen online.)

Yeesh, Kathy Griffin isn't kidding about that flop sweat. After we were finished and exiting the radio station... suddenly wondered why I was so wet. I also get awful insomnia the night before. I think it will take awhile before these symptoms subside. As my late grandma would say, I have "a case of the nerves."

The good news: We had TWO phone calls! Yeah!

Gregg took these photos while I was actively running my mouth, so a bit blurry. (I was talking about the commemoration of 9/11 in the second photo.) I did not have a death grip on the Notre Dame rosary this time (as I did last week), but as you can see, I DID find it necessary to slip it over my head, just in case.

Today, we trashed the governor. It was FUN! Update: Thursday, Governor Nikki Haley called Renee Dudley (the reporter who exposed her pricey European junket in the Charleston Post and Courier) a "little girl". (Exact quote: "God bless that little girl at the Post and Courier.") I asked how she would like it if someone called HER a little girl? I then segued into criticizing Republican presidential candidate, Governor Rick Perry, for cutting funding for rural Fire Departments in Texas (from $30 million to $7 million), which is the whole reason the place is currently burning up.

We also covered the case of Troy Anthony Davis, a likely-innocent man who is scheduled to be executed by the state of Georgia on September 21. I addressed the pro-death penalty people directly (probably 95% of listeners in SC) and said it does not help their cause when innocent people (or even possibly-innocent people) are executed, and that they should be in the forefront, trying to get Davis off Death Row. (It was an unexpected comment right off the top of my head, and I was proud of it.) Not sure how that went over, but I said it anyway.

Notably, I always write out a sign, NO CUSSING, right before the show. The FCC fine is $10,000 a pop for every one of these you say. (Ordinarily, I would be madly cussing over alla this stuff, of course, as DEAD AIR regulars know.)

I got through it, but another double mocha Frappucino was required. I will never get down to a single vanilla at this rate.

~*~

I wanna bite the hand that feeds me
I wanna bite that hand so badly
I wanna make them wish they'd never seen me


Radio Radio - Elvis Costello and the Attractions

Welcome to the Working Week

I had planned to blog about my wonderful Sunday dinner, which consisted of scrumptious saag paneer, aloo gobi, dal saag, and aloo matar, all topped off with fabulous potato samosas. But of course, after all of that, I was too stuffed to do anything but stare at the tube.

60 Minutes featured two interesting but softball interviews with Barack Obama and Hillary Clinton. Katie Couric, of all people, interviewed Hillary. I just shook my head. If you want to be taken seriously, I'd suggest someone other than sweet Katie as an interviewer. Ugh.

Afterwards, Mr Daisy forced me to watch Social Distortion: Live in Orange County, which rocked pretty good. I love Mike Ness' version of Johnny Cash's RING OF FIRE!

And it's Monday already! Welcome to the working week; I know it don't thrill you, hope it don't kill you.

Elvis Costello - Welcome To The Working Week (Live)

[via FoxyTunes / Elvis Costello]

Soft-core memories of the Drive-In

Left: THE STEWARDESSES which of course you know is the highest-grossing 3-D movie of all time!



In my post yesterday, I mentioned soft-core porn. In reading it back, I wondered if such a thing even exists now? What was called soft-core in my youth, could now be broadcast on regular network TV with no trouble and no censorship. And certainly, a movie like Midnight Cowboy, (which, believe it or not, was rated X when it first came out), barely qualifies for an R these days.

But what I loved... ah!... were the soft-core movies at the Drive-In! These movies had occupational names like The Stewardesses and Private Duty Nurses. (This was one reason early punk bands sometimes chose names like The Waitresses.) The women in these movies were often in semi-formal competitions with each other, to see who could bed the most guys, and alas, one would always fall in love and have to quit the competition. It was sweet!

The dialogue was weird, as it was usually written by men. Thus, it was the kind of sexual talk men assume women do outside of their presence. (Check out the fabulous song GIRLS TALK by Elvis Costello; at least Elvis knew he didn't have a clue, which just made him more nervous.) These B-movie girls sounded like guys in a locker room, not surprisingly. What's interesting is that they always seemed to be enjoying the dirty dialogue and performed their sex scenes with aplomb. In one of these (and I regret to say I cannot remember the title, as they all tend to run together in my mind), one woman reached over and turned a lamp on during sex, and smiled the dirtiest smile I've ever seen, before or since. Like the guy in Citizen Kane who remembered the girl with the parasol once a month for the rest of his life... I have always remembered that wicked B-movie smile.

I saw these movies at that transcendent and resplendent place called THE DRIVE IN... I miss drive-ins so much, at times, I fear I will scream when I see photos of them, and particularly (((shrieks!)) if I see a photo of one I actually went to, like this one.

The Drive-Ins showed old movies, second run, B-movies, foreign, whatever. The screens were so enormous, you could see them a mile away. Outside one restaurant parking lot (with an excellent view of a drive-in screen), several of us as teenagers would collect randomly to watch the movies with no sound--and it was in this manner I saw several bad movies (LINDA LOVELACE FOR PRESIDENT), as well as movies that required no sound to enjoy (A FISTFUL OF DOLLARS).

Working-class couples used to take their kids to the drive-in; as children, we'd all be asleep by the time the dirty movies (second feature, usually) came on. Taking the kids in a car meant no babysitting costs; it was a cheap way to have a good time. As kids, we would go in our pajamas and run around like crazy before the movie started, then at nightfall we would be suitably exhausted and fall asleep right after the cartoons, even before the opening credits. The adults might take some beer and some eats, maybe invite the cousins or neighbors--I can recall a "line" of cars that was my stepfather's family--two of his brothers, their wives and children. Lots of people would "meet" other cars at the drive-in and then move from car-to-car--as you might recall from the movie Grease.

If your mother had forbidden you to see a certain boy, you dated his friend, and when you all showed up at the drive-in, you could change places. :) Likewise, pot-smokers, gay folks, and people having extramarital affairs, all found fun stuff to do at the drive-in, and everyone was very discreet.

At the drive-in, leaving your car at night (to go to the bathroom, buy some sodapop or whatever), and moving amongst the microphone-stands, was a thoroughly magical and hallucinatory experience. The microphones, hundreds of them inside cars or outside on their stands, broadcast the movie in unison. This created an amazing, haunting stereophonic echo: drive-in polyphony, as beautiful in our memories as a medieval choir.

I can still remember going to get some 7-Up and hearing the most fantastic noise of my life, and I turned transfixed to see a 50-foot-high, white-fringed Roger Daltrey on the screen in front of me, which was as incredible as if Jesus Christ had come back to earth. Holy shit!--I thought. I stood there in the dark, hypnotized by the huge screen (beautifully surrounded by trees and crisp Midwestern summer night), as those hundreds of microphones brought to me the sound of the greatest rock band in the history of the world. (No, that is not open to debate. Not for nothing is my email "Who fan"!) And I can remember the sound of the film WOODSTOCK at the drive-in, as The Who, Paul Butterfield, Alvin Lee, and so many others radiated rhythm from all of those little microphones...

My wish for everyone is that they should have such a wonderful memory.