Its been awhile since I shared some old music with yall.
This first one was on the soundtrack to the movie "Car Wash" (1976)--which I once reviewed for the (very) long-defunct Focus Rock Entertainment, back in the day. I wrongly predicted it would be a hit; instead, the theme song "Car Wash" was the big hit. (sigh) But it did become a funk classic and was popular in the discos, as the B-side of the hit ballad from the film, "I wanna get next to you."
Produced and written by the late, great Motown-powerhouse, Norman Whitfield, this song features the legendary funk bass of Lequeint 'Duke' Jobe--an amazing groove. All punctuated with beautiful big brass noise, which defines 70s funk for me.
To this day, now and forever, when someone says "put your money where your mouth is"... I mentally finish the sentence: "or you ain't said a damn thing"...
Yep.
Put Your Money Where Your Mouth Is - Rose Royce
~*~
I know I have played this here before, probably more than once. Its one of my favorite pieces of instrumental music, ever.
(PS: Link for those who missed the old instrumentals post! I never did get around to posting part 2, so consider THIS part 2.)
Although I love the original studio version (and most live renditions), the Allman Brothers video clips currently on Youtube have some fuzzy audio and are not as good as simply listening to (Allman Brothers guitarist) Dickey Betts play it as an 8-minute guitar lesson (with his son Duane) for Guitar World magazine... elegant, spare, and oh so lovely.
They have to slow down at around the 3:45 mark (the "second theme"), where it gets somewhat complicated and psychedelic. Other than that, this version is almost good enough to stand on its own.
In Memory of Elizabeth Reed - Dickey Betts
Aside: I didn't know Betts had named his son Duane, which gets me rather choked up.
~*~
Time for working class proletarian bluegrass. You can blame the election. Class consciousness uber alles!
This is an old union song I grew up with. The Blue Diamond mines in Kentucky are still going strong, in case you didn't know. The union? Not as strong.
You old black gold you've taken my soul
And your dust has darkened my home
And now that we’re old you're turning your back
But where else can an old miner go
It’s Big Leatherwood and it’s Algoma Block
And now it’s Blue Diamond too
The pits they are closing - get another job
But what work can an old miner do
John L. had a dream but it’s broken it seems
And the union is letting us down
Last night they took away my hospital card
Saying why don’t you leave this old town.
The union didn't let you down, the Rockefellers did. Now they have decided they were wrong; they are divesting and fast-dissociating themselves from fossil fuels. And how many miners died to make them rich?
A day late and a dollar short. Not our dollar, though.
Blue Diamond Mines - Jean Ritchie
Wednesday, October 29, 2014
Got music?
Posted by
Daisy Deadhead
at
2:13 PM
Labels: 70s, Allman Brothers Band, bluegrass, coal miners, Dickey Betts, Duane Allman, environment, funk, instrumentals, Jean Ritchie, Lequeint Jobe, Motown, music, Norman Whitfield, Rockefeller family, soul music, unions
Wednesday, May 28, 2014
Too late for Tuesday Tunes
I woke up and thought, I'm wide awake, I'm not sleeping... and then I thought, wait, what song is that?
BAD - U2
~*~
... which of course, made me think of ...
I'm only sleeping - Beatles
~*~
And finally, when you sleep, you get...
Dreams - Allman Brothers Band
... which I might have posted here before?
That last song is so intense for me as I age, I can barely listen to it.
After so many years, it remains a masterpiece. Duane was amazing.
Posted by
Daisy Deadhead
at
1:47 AM
Labels: aging, Allman Brothers Band, Beatles, blues, classic rock, Duane Allman, music, U2
Tuesday, March 5, 2013
Tuesday Tunes
Bad Sneakers - Steely Dan
~*~
It's a long instrumental, but its real purty, too. ("Richard Betts pickin on that red guitar!") Relax, breathe, and visualize yourself right next to a waterfall.
It won't be hard to imagine at all.
High Falls - Allman Brothers Band
~*~
I've heard this one a lot on this blog's namesake, the indispensable Uncle Dave's Dead Air. GREAT STUFF!
Ride Mighty High - Jerry Garcia Band
Posted by
Daisy Deadhead
at
4:53 PM
Labels: 70s, Allman Brothers Band, classic rock, Dickey Betts, Donna Jean Godchaux, instrumentals, Jerry Garcia, Keith Godchaux, music, Steely Dan, Uncle Daves Dead Air
Friday, January 27, 2012
Friday noise
Eons ago, I used to write record reviews for FOCUS ROCK ENTERTAINMENT (screen capture of old publication here! Only image I could find online!). They paid me in t-shirts, movie and concert tickets, tote bags and other crap nobody else wanted, and records. RECORDS. Lots and lots of vinyl, some of which I still own because I can't bear to part with it.
One of the records I reviewed was VOLUNTEER JAM, which contained this major kick-ass song from the Charlie Daniels Band, jamming beautifully with members of the Allman Brothers Band and the Marshall Tucker Band. (The song ultimately emerges as more Allman than Daniels, but with Charlie's signature holler.) The rest of the album is also very good, but as I wrote then, this song shoots the record right into the stratosphere. (And I'm STILL right.) Yes, you heard that smoooooth Dickey Betts gee-tar before you even saw him.
Look how young everybody looks! Ain't it good to be alive and be in Tennessee?!?
Birmingham Blues - Charlie Daniels Band/Volunteer Jam (live)
If you have never heard of Mike Bloomfield, you should have. He passed away in 1981, and I sobbed my little heart out. A member of the Paul Butterfield Blues Band as well as Electric Flag, he also provided great music for one of my favorite movies, Medium Cool.
I don't know who is singing, but it's that amazing, stinging guitar noise I want you to hear! This song is credited to Robert Johnson himself.
The video has some good visuals of Chicago (beloved home of Bloomfield and Butterfield), and contains shots of some of the more famous venues they played in.
Sweet Home Chicago - Mike Bloomfield (live)
Posted by
Daisy Deadhead
at
11:44 AM
Labels: 70s, Allman Brothers Band, blues, Charlie Daniels, Chicago, classic rock, Dickey Betts, Focus Rock Entertainment, Marshall Tucker Band, Medium Cool, Mike Bloomfield, music, Robert Johnson, Tennessee, Volunteer Jam
Tuesday, October 25, 2011
Tuesday Tunes: Stolen gravestones and other musings
Some Tuesday tunes to bum you out and then pick you back up again.
If you are already bummed out, you can jump to the last two.
~*~
Listen to how these gee-tars all sound like whips. Bloody incredible... especially around the 3:50 mark. This kind of otherworldly guitar-playing inspired people to do bizarre things, like steal Duane Allman's graveyard monuments and headstones in Macon, Georgia.
WHERE would you put such a thing? In your house?
Glad to see that they have replaced them! (see link) I've heard the gravestones were stolen multiple times. For some reason, that strikes me as very southern... it also puts me in mind of the psychology behind Catholic relics, i.e. if you steal the gravestone, maybe you will one day play like that, too? (I own lots of relics, as you probably know, and I won't get rid of them, just in case.)
This is a great song for drinking in excess, so be careful. Especially if incidents in your life are shaping up like the incidents in the song... and believe me, I know what I am talking about!
And pay attention to Berry Oakley's fabulous rumbly bass line that begins the song... in live performances, people would start screaming and hollering even before the killer-whip-riffs start... the rumbly bass signaled the beginning of a southern-drinking-man's symphony...
Allman Brothers Band - Whipping Post
~*~
This song is for my stepfather, Elliott Horn, full name George Elliott Horn, a multi-talented guitarist and singer (also played mandolin, steel guitar, banjo, bass). Born in Logan, West Virginia to Cherokee parents, Arminda and George, July 1933. Death in Canton, Ohio, 1968. (leaving this info for the genealogists among you!)
He was once a lover of Jackie DeShannon, which made my mother mad. We were not allowed to mention her name or play her records. (But when she came on the radio or TV, my mother would always listen to/watch her carefully.) He was also briefly in Billy Joe Royal's band, called The Royal Crowns. That riff you hear on "Down in the Boondocks" which makes the whole song? Is my stepfather. Interestingly, hearing the song always comforts me and brings me Elliott's presence, whereas the following song is difficult for me to get through, at least on most occasions. Luckily it is now somewhat obscure, although there is also a lyrical reference to it in my favorite movie, Taxi Driver.
I loved Elliott very much; far, far more than my biological father.
This song is about him.
So much so, I can only listen to it maybe twice a year, and this is one of those days.
Kris Kristofferson - The Pilgrim, Chapter 33
~*~
Okay, who knew that Tommy Boyce committed suicide? I just wrote (up there) that you should jump to the last two songs, but that was before I checked Wikipedia. Well, damn, another rock and roll suicide (deliberate David Bowie reference). That is sad. :(
How could anybody who writes happy songs for the Monkees get depressed? That seems to go against the fundamental laws of the universe or something.
Tommy Boyce and Bobby Hart wrote over 300 songs; their songs sold over 42 million records.
I just wrote about my stepfather who died in 1968, which was the year of this tune, which is why I thought of it. The song and the duo were also featured on an old episode of "I Dream of Jeannie" for some inexplicable reason. (If I hadn't seen it, more than once, I wouldn't believe it either.)
I am a big sucker for the Hup Hup! (or whatever he is hiccuping there, at about 1:28 and 2:13) right before they sing the chorus, which I think made the upcoming-chorus somehow more exciting. Pop music genius!
Rest in Peace, Tommy.
Tommy Boyce and Bobby Hart - I wonder what she's doing tonight
~*~
I love the Perry-Masonish horn arrangement in this song, which made it sound like a melodramatic 50s drive-in B-Movie. It is actually the theme to an A-movie with Kirk Douglas, surprisingly enough. (1961)
It comes on LOUD, so turn it down a wee bit first.
Town Without Pity - Gene Pitney
~*~
Perry Mason?--say the kids... huh?
Yes, this is one of the best noir numbers you will EVER hear... I associate it with very early, almost unconscious childhood. The brassy blast at the end of "Town Without Pity" makes me think of the brassy blast at the end of this TV theme song.
I watched the dopey reruns for years, just so I could hear the music. I also love the late 50s/early 60s aesthetic of the show: gigantic Buicks and coffee-tables, and men wearing hats during the day. (The clothes were the GREATEST, as regular readers know, I love that era of fashion.)
Raymond Burr was gay, which as a world-class scandalmonger, I already knew... but who else did? What would my grandmother have said, if she'd known? She worshiped Erle Stanley Gardner, and by extension, Raymond Burr.
I could only find a short clip, which apparently is from German TV...there is a longer version of this that closed the show--it ran more than a minute. Can't find that one. Poo! :( This will have to do.
Old Perry Mason TV theme
~*~
Speaking of the south (which I mentioned way up there)... only someone living here could have written this. I've been thinking of it a LOT lately.
For my friends in the Occupy movement!
These bastards stole their power from the victims of the Us v. Them years,
Wrecking all things virtuous and true
The undermining social democratic downhill slide into abysmal
Lost lamb off the precipice into the trickle down runoff pool
They hypnotised the summer, 1979
Marched into the capital brooding duplicitous, wicked and able, media-ready,
Heartless, and labeled
Super US citizen, super achiever,
Mega ultra power doesn't relax.
Defense, defense, defense, defense. Yeah, yeah, yeah
Yeah, yeah, yeah, ignoreland. Yeah, yeah, yeah, ignoreland
Yeah, yeah, yeah
The information nation took their clues from all the sound-bite gluttons
1980, 84, 88, 92 too, too
How to be what you can be, junk, damn junk in your energy
How to walk in dignity with throw up on your shoes
They amplified the autumn, 1979
Calculate the capital, up the republic my skinny ass
TV tells a million lies
The paper's terrified to report
Anything that isn't handed on a presidential spoon,
I'm just profoundly frustrated by all this.
So, fuck you, man (fuck 'em)
Yeah, yeah, yeah, ignoreland. Yeah, yeah, yeah, ignoreland
If they wasn't there we would have created them
Maybe, it's true,
But I'm resentful all the same
Someone's got to take the blame
I know that this is vitriol
No solution, spleen venting,
But I feel better having screamed--don't you?
They desecrate the winter, 1979
Capital collateral
Brooding duplicitous, wicked and able, media-ready,
Heartless, and labeled
Super US citizen, super achiever,
Mega ultra power doesn't relax.
Defense, defense, defense, defense. Yeah, yeah, yeah
Yeah, yeah, yeah, ignoreland. Yeah, yeah, yeah, ignoreland
Yeah, yeah, yeah, ignoreland. Yeah, yeah, yeah
I did not do the revolution
Thank you
I know exactly what he means.
R.E.M. - Ignoreland
Posted by
Daisy Deadhead
at
12:48 PM
Labels: Allman Brothers Band, Bobby Hart, childhood, Elliott Horn, family, Gene Pitney, genealogy, Kris Kristofferson, music, Perry Mason, Raymond Burr, REM, The Dirty South, Tommy Boyce, West Virginia
Monday, September 12, 2011
Monday Music: And the cat just finished off the bread
LIVE FROM NEW YORK, 40 years ago... this contains excellent, rare old photos of the band, as well as some blistering guitar solos to wake you up this Monday.
One Way Out - Allman Brothers Band (Live 1971)
~*~
Playing this to commemorate 9/11. Of course, it's significantly dated now, since we have no longer have any Berlin wall. Do the kids understand? (Could they ever?)
"Please don't be waiting for me."
Holidays in the Sun - Sex Pistols (1977)
~*~
"When I see you comin, I just have to run"... he was so funny! Debating if I should use a BDSM tag or not. (Nah.)
Vicious - Lou Reed (1972)
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Who else thinks, "I am a passenger, I stay under glass" is the greatest line ever?
(PS: And now, you will also be earwormed to death with LA LA LA LA LALALA LAAAAAH! for the rest of your day.)
The Passenger - Iggy Pop (1977)
~*~
And this is the song that gives us today's blog post title.
Pinball - Brian Protheroe (1974)
Posted by
Daisy Deadhead
at
4:53 PM
Labels: 70s, 9/11, Allman Brothers Band, blues, Brian Protheroe, classic rock, Cold War, Earworms, Iggy Pop, Lou Reed, Monday Music, music, punk, Sex Pistols, teenage idols
Monday, September 13, 2010
Monday Music: Dreams I'll never see
Yes, I am at last prepared for Monday Music!
~*~
I discovered fabulous Ella Mae Morse through the totally indispensable Reverend Billy's Rhythm Revival, which we faithfully listen to every Saturday Night on WNCW ... behold the wonderful Miss Ella Mae!
(Apparently, the line "he was raised on local ways"--was originally, "he was raised on loco weed"--LOL.)
Ella Mae Morse - Cow Cow Boogie
~*~
Chris Stein's clangy guitar-impersonations of Duane Eddy are all up in my head, since I've heard this song about 3 times in the past week. The kids at work love 80s nostalgia, which is (oh dear God) from their childhoods! (Feel old yet?)
And now I am EARWORMED to death by Debbie Harry ... To-niiiiight, To-niiiiiiiiiiiight... and if I have to suffer with it, so do you.
Blondie - Atomic
~*~
Too personal to discuss, even for me...this is a beautiful song, which is engraved upon my heart forever (and the source of today's blog post title)...
I've had a very hard time locating it, which means it will probably get yanked by YouTube/Warner Music Group/Blue Meanies within the week. Listen to these sweepingly-lovely southern riffs now!
Allman Brothers Band - Dreams
Posted by
Daisy Deadhead
at
12:23 PM
Labels: 80s, Allman Brothers Band, Blondie, blues, Chris Stein, classic rock, Debbie Harry, Earworms, Ella Mae Morse, Monday Music, music, Reverend Billy's Rhythm Revival, rhythm and blues, WNCW
Friday, October 30, 2009
Blue Sky
Decided on this one for the day before Halloween, since it's suitably Halloweenish that fans keep stealing Duane Allman's gravestone. It's as if he were some medieval saint or something.
But anyone who can play guitar like this? I guess I sorta understand why they steal it, because this brand of effortless playing manifests only a few times every generation. But I hope they realize, his greatness won't wear off by just possessing the gravestone.
And where on earth would you put a gravestone?
~*~
Blue Sky - The Allman Brothers Band
Going to Carolina, won't be long and I'll be there.
Posted by
Daisy Deadhead
at
1:42 PM
Labels: Allman Brothers Band, classic rock, Duane Allman, Earworms, Georgia, music
Thursday, September 17, 2009
Birthday jams
I think it's vaguely creepy how Blogger features birthday cake today when I log in. You're a BOT, dude!
Thanks to all my Twitter friends who wished me a happy birthday when I threatened to become hysterical! I love you!
Below: stuff that makes me feel particularly old, in no special order.
~*~
If you are drinking heavily and/or involved with bikers, this is a great break-up song. Famous guitar riffs at the end (by the late Duane Allman), sound just like a whip. WALLOW IN THAT PAIN, people!
Whipping Post - Allman Brothers Band
~*~
Speaking of Twitter, there is hashtag titled #Iwish, and I bet them whippersnappers don't even know where that came from.
Turn it up!
I Wish - Stevie Wonder
~*~
One of those songs that when you search for it on YouTube, you get every single damn amateur troubadour from here to Luckenbach, thinks he can sing it.
We received our education in the cities of the nation...
Me and Paul - Willie Nelson
~*~
Montage of early Who clips. Roger had not yet discovered his trademark flashy Elvis-on-acid outfits, and sometimes appears as if he had just emerged from bad job interview. (He shows his incipient fashion sense at approx 1:02, dons sunglasses.) John, age 21, looks about 14; Keith Moon was all of 19 years old, appears 12. Pete was working on his pseudo-alienated, "I'm too good for mere rock and roll" major artiste pose, which would serve him very well throughout his life.
Check out those 60s mods and their strange amphetamine-inspired dance moves!
I Can't Explain - The Who
~*~
Captain for Dark Mornings - Laura Nyro
Enjoy, and happy birthday to me!
Posted by
Daisy Deadhead
at
1:41 PM
Labels: Allman Brothers Band, birthday, blues, classic country, classic rock, funk, Keith Moon, Laura Nyro, mods, music, Pete Townshend, Roger Daltrey, Stevie Wonder, The Who, Twitter, Willie Nelson
Thursday, April 23, 2009
In Memory of Elizabeth Reed
Live at the Fillmore East, 1970. Duane Allman in the flesh! Fabulous jams.
~*~
In Memory of Elizabeth Reed - The Allman Brothers Band
Posted by
Daisy Deadhead
at
5:30 PM
Labels: Allman Brothers Band, classic rock, Georgia, music, nostalgia
