At left, Daisy meets local legend Country Earl! I was thrilled beyond measure. I was introduced to him when I visited the Mauldin Open Air Market last week, to buy Joel Ann's legendary cashew brittle, as well as oodles of fabulous local produce.
I hope you are all having a good 11-11-11, which is a suitably cosmic thang.
I tried to remember to make a wish at 11:11am, and forgot. Yall don't forget at 11:11pm!
Below, some earworms and other delights.
~*~
I thought this was called "Rock and Roll Star" but it's just "Star." It's been ages since I looked at the album cover.
Its a pop/rock gem from that amazing work of art titled The Rise and Fall of Ziggy Stardust and the Spiders from Mars.
I also love it, since he explains exactly what he is going to do, and then he went out and did it. (And how often does that happen?) For emphasis, at the end he adds, "just watch me."
I could do with the money
I'm so wiped out with things as they are
I'd send my photograph to my honey
And I'd come on like a regular superstar
Star - David Bowie
~*~
Okay, trigger warnings and all that stuff. You know what comes from poppies, and you know what happens when people get too fond of it. (Lyrics here)
My tarot reading for 11-11-11 started with the Temperance card, which made me think of this song. It always does.
Baby want more.
Poppies - Patti Smith Group
~*~
My favorite song by the late Jim Croce, which it seems few people have heard.
Hey Tomorrow - Jim Croce
~*~
And finally, this is for Veterans Day.
How many of you were aware that Jim Morrison's father was a Rear Admiral in the Navy? It really does explain a lot.
In concert, Morrison would hit the ground at the sound of the gunshot, like, splat. No slow toppling-over, but bang, flat on the ground. I think you probably have to be really high to do that. Nonetheless, it was damned impressive.
Note the cheering-crowd noise spliced with funeral-church bells at the end. Perfect.
The Unknown Soldier - The Doors
Happy Veterans Day. Bring Them Home Now.
Friday, November 11, 2011
Tunes for 11-11-11
Posted by
Daisy Deadhead
at
2:43 PM
Labels: classic rock, Country Earl, David Bowie, Earworms, food, Jim Croce, Jim Morrison, Joel Ann Chandler, Mauldin Open-Air Market, music, Patti Smith, tarot, The Doors, veterans, Veterans Day
Friday, July 8, 2011
Let's swim to the moon
At left: Ben Hall, at Bohemian Cafe on Saturday.
One of those things about age that makes me profoundly uncomfortable: I get sentimental very quickly.
Like, really sentimental.
It overtakes me suddenly, and there I am, shedding tears over seemingly peculiar, unrelated or odd events. Such as Ben Hall and his guitar playing. Which was just like my late stepfather's. (Note: although the outdated link claims Ben is 18, he has now reached the ripe old age of 22.)
Until I was sitting there listening to Ben, whom I hadn't heard before, I didn't realize I had unconsciously avoided the music of Chet Atkins for a reason... I was suddenly aware that the "thumb-picking" guitar-style of Ben's, was the same as my stepfather's. I have avoided it for many years, flipped radio channels and such, because it made me so emotional. And as Ben described his style of playing, I thought, oh no... because I probably would have avoided his fabulous guitar playing if I had known.
I listened, and promptly got all teary-eyed and emotional. It is so embarrassing, reminding me of a line from Colonel Kurtz in Apocalypse Now: "I cried like some grandmother." Yeah, I guess he means me. I have arrived!
Does any music do that to you?
Here is Ben's playing, the signature thumb-pickin style.
Cannonball Rag - Ben Hall
~*~
This song is as old as I am, seriously... careful, its about death, and way before the Doors made drowning at night sound sexy and existential.
I can hardly believe its taken me this long to post it!
Endless Sleep - Jody Reynolds
~*~
And speaking of the Doors, here is the 60s version of drowning for fun:
Moonlight Drive - The Doors
Let's swim to the moon
Let's climb through the tide
Penetrate the evening that the
City sleeps to hide
Let's swim out tonight, love
It's our turn to try
Parked beside the ocean
On our moonlight drive
Let's swim to the moon
Let's climb through the tide
Surrender to the waiting worlds
That lap against our side
Nothing left open
And no time to decide
We've stepped into a river
On our moonlight drive
~*~
Sorry so morbid, but its been a rather morbid week in America, yes? ;)
Posted by
Daisy Deadhead
at
1:35 PM
Labels: 50s, 60s, aging, Ben Hall, Bohemian Cafe, Chet Atkins, childhood, classic country, classic rock, death, family, Jody Reynolds, music, nostalgia, rockabilly, The Doors
Saturday, February 12, 2011
Odds and Sods: Old St Charles sing edition
Image at left is courtesy of YELLOWDOG GRANNY, thanks Jackie Sue... you always sum up my thoughts! :D
This installment of ODDS AND SODS starts with a major TRIGGER WARNING, as they say. Warning, this thread descends into some very disturbing transphobic nastiness, but that's my whole reason for recommending it. It's pretty educational; I think the "radical feminists" who have colonized that thread illustrate one of the biggest problems with Second Wave radical feminism: Mean Girls.
And yeah, I knew a few in my time.
There was something about Second Wave feminist theory that easily lent itself to weird 'female superiority' arguments (in many instances, not just concerning transgender politics). Note their roaring silence on the subject of F to M transgender people: trans men don't fit their little just-so story, so they don't seem to piss them off as much. It's a very strange victim-chic thing. There is only so much victimization to go around, and the trans women are trying to horn in on OURS, which is COPYRIGHTED. At least, that's how several of the most pedestrian comments sound (yes, looking at you Delphyne!)... it's funny in the way that white supremacist websites are funny: not funny haha, funny sad.
The argument that trans people "uphold the gender binary" is bizarre, since I don't know anyone who doesn't. (The fact that we are forced to CHOOSE A SIDE, in fact, is the whole point, isn't it?) Why do these anti-trans feminists think they do not ALSO "uphold the gender binary"? Because they do. I do, you do, everyone does: If someone looks at you and calls you he or she on sight, well, you've passed the gender-test and you ALSO uphold the gender binary. IS there anyone on earth who does not uphold the gender binary? Where IS this magical omnigendered person? (Glen or Glenda?)
The question is then: Why are you holding trans people to a standard you are not holding everyone to? Why are they expected to "opt out" of a system you have not (and can not) opt out of?
PS: If you've had enough of reading that sort of thing, I can certainly relate. Warning, warning, warning, once again, highly offensive, reactionary victim-chic at the link.
~*~
I have not written about the political upheaval in Egypt, since I am ignorant of specifics and haven't had the time to delve properly into the subject. Thus, I share what smarter people have written:
Mubarak departs – what next? (A Scottish Liberal)
Mubarak Finally Listens – “Let My People Go!” (FireDogLake)
Katrina Vanden Heuvel: Neocons Have a Hard Time With Democracies That Emerge From Within a Country (Crooks and Liars)
~*~
:: A picture is worth a thousand words! You gotta see this: A Children’s Treasury of CPAC Stupidity: the Final Chapter Subtitled: TRINKETS OF THE DEATH OF AMERICAN CIVILIZATION... I promise you will love it!
:: On a more wonky note, Ezra Klein explains things carefully, in this post titled Do Republicans really oppose making health-care insurance cheaper? Yes, I've wondered that, too. Excerpt:
[The] short version is this: If you make health-care insurance cheaper and make it harder for insurance companies to deny people coverage, then a certain number of people who would like to leave the labor force but can't afford or access health-care insurance without their job will stop working.:: By way of Onyx Lynx, I found Avedon Carol's post quite thoughtful:
To understand why, imagine a 62-year-old woman who works for IBM and beat breast cancer 10 years ago. She wants to retire. She has the money to retire. But no one will sell her health care under the status quo. Under the health-reform law, she can buy health care in an exchange because insurers can't turn her away due to her history of breast cancer. So she'll retire. Or imagine a 50-year-old single mother who wants to home-school her developmentally disabled child but can't quit her job because they'll lose health care. The subsidies and the protections in the Affordable Care Act will give her the option to stop working for awhile, while under the old system she'd need to stick with her job to keep her family's health-care coverage. That's how health-care reform can reduce the labor supply. If either case counts as a destroyed job, then so does my winning the lottery and moving to Scotland in search of the perfect glass of whiskey.
But I think there's also a deeper game here, and it explains why the entire media - not just the Murdoch and Moonie media - stays so focused on the right-wing crazies. It's the circus that deflects attention from what's really going on while everyone is playing games like "Beck is crazy" and "Look - Sarah Palin!" Well, yes, they've pretty much consistently done that sort of thing for the last 20 years, but I mean going even deeper than that, to why it is so consistent - enough that even some of our best liberal, independent bloggers just can't seem to pull their eyes away sometimes. Somebody out there wants us to keep watching the clown show for an even bigger reason.:: OPEN LEFT is shutting down. Which is not a good sign. :(
Bye yall! I'll miss you!
~*~
This week's especially merciless ear worms:
This first one contains the original language, "I don't give two fucks about you"--which was sanitized for US airplay and became the more neutral, "I don't give a damn about you"... punks were considered pretty scary and thus, properly de-fanged for stateside radio. I'd never give you a de-fanged version on DEAD AIR!
I am proud to say, I own both versions in various mixes and anthologies, or I wouldn't even know about the censorship.
The Modern World - The Jam (1977)
~*~
Trigger warning, probable suicide references (debatable ever since song recorded in 1967); Joan Didion famously started her Doors essay with this song.
Moonlight Drive - The Doors (1967)
~*~
TOO GREAT FOR WORDS, this first-class mystical acidhead music can't be beat. Question: Are they chanting "Stonehenge! Stonehenge!" at the end? I've always thought so. Not sure what St Charles had to do with Stonehenge but hey, why not?
I really love this. NOTE: Acid flashback warning for at least half of my regular readers. :P
St Charles - Jefferson Starship (1976)
Posted by
Daisy Deadhead
at
1:09 PM
Labels: 60s, 70s, Earworms, Egypt, Ezra Klein, feminism, Jefferson Starship, media, Mubarak, Odds and Sods, politics, punk, Saints, The Doors, The Jam, transgender, universal health care
Wednesday, September 23, 2009
Odds and Sods - Lizard King edition
Good advice! Sign in our local Greenville Army/Navy store.
There is always oodles of great reading around the intertubes, and Twitter has just made it worse--or better, depending upon your point of view. You can go there any time of the day or night, and people are exchanging boffo reading material.
The real problem is extricating yourself from Twitter, as I have recently discovered!
Stuff you oughtta read:
Atlasien tweeted this fascinating story from Jezebel about the newest chic accessory for upscale moms: a Tibetan nanny! They are more spiritually centered, doncha know, and just so much better for your children.
As some of you may recall, I am a member of the National Coalition Against the Death Penalty. (The death penalty is fully operational here in South Carolina). Renee made me cry with this one: Last words that are not famous: The Sounds of Death Row. The Texas Department of Corrections recorded the last words of executed prisoners and she shares some of them with us.
Young woman rejects HPV vaccine and loses path to citizenship:
[Gardasil was] added to the list of required vaccines for people seeking to adjust their immigration statuses.
Numerous immigration groups came out in opposition to this requirement, stating that it posed a unfair financial barrier to immigrant women, who already take on a lengthy and costly process to become citizens.
[Simone Davis is] one of the first reported cases of a young woman losing her path to citizenship because of Gardasil.
A great piece on Salon about the early career of the always-fascinating demagogue-of-the-moment, Glenn Beck:"Glenn was a talented young preppy kid with a bit of an attitude," remembers Meryl Uranga, a program and music director at KZFM. "I had never smelled clove cigarettes before I met him. Hanging out with Beck was also the first time I ever saw certain drugs. He partied a lot."Thanks to tweet from Belledame.
I recently made a prediction on Twitter that I will repeat here, to make it official. Glenn Beck is a public AA member who has shot his mouth off a few too many times. Anonymity in AA is not about protecting oneself, it is about protecting the 12 Steps, the Principles and Traditions. Simply put, if an alcoholic in need of recovery sees that Beck is in AA, they may go "Ewww!" and decline to join (and who could blame them)? Beck could become the "face of recovery"--and that is never a good thing. This is the major reason for the rule that Beck loves to break. It should not surprise us that Beck shows so little respect for the organization that he credits with saving his life. After all, it's really ALL ABOUT HIM, isn't it? AA Traditions? Glenn Beck don't need no stinking traditions!
The 12th tradition of AA states: Anonymity is the spiritual foundation of all our traditions, ever reminding us to place principles before personalities. And Beck is in violation of that tradition. Conventional AA wisdom is that once your pride has bubbled up to this level, you're in serious trouble. (I refer to my post about Mel Gibson, for details. You will note the religious extremism/conversion is also a feature of Beck's personality.)
I predict a flame-out of near-Biblical proportions. I am unsure if the catalyst will be money, drugs, booze, gambling, religion or women ... but it will be one of those. Can't wait.
In the meantime, the Salon piece is a real gem:
"He was amazing to watch when he was doing his cast of voices," remembers Kathi Lincoln, Beck's former newsreader [at WRKA in Louisville]. "Sometimes he'd prerecord different voices and talk back to the tape, or turn his head side to side while speaking them live on the air. He used to do a funny 'black guy' character, really over-the-top."[...]
"Black guy" impersonations were just one sign of the young Beck's racial hang-ups.
Beck's real broadcasting innovation during his stay in Kentucky came in the realm of vicious personal assaults on fellow radio hosts. A frequent target of Beck's in Louisville was Liz Curtis, obese host of an afternoon advice show on WHAS, a local AM news-talk station. It was no secret in Louisville that Curtis, whom Beck had never met and with whom he did not compete for ratings, was overweight. And Beck never let anyone forget it. For two years, he used "the big blonde" as fodder for drive-time fat jokes, often employing Godzilla sound effects to simulate Curtis walking across the city or crushing a rocking chair. Days before Curtis' marriage, Beck penned a skit featuring a stolen menu card for the wedding reception. "The caterer says that instead of throwing rice after the ceremony, they are going to throw hot, buttered popcorn," explains Beck's fictional spy.[...]
Louisville is where Beck began experimenting with another streak that would become more pronounced in later years: militaristic patriotism and calls for the bombing of Muslims.And it just gets better. Read it all!
The birth of Glenn Beck as Radio Super Patriot can be traced to the morning of April 15, 1986. This was the morning after Ronald Reagan ordered U.S. warplanes to bomb Moammar Gadhafi's Tripoli palace in response to the bombing of a Berlin nightclub frequented by U.S. servicemen. Beck sounded stoned during the show -- and given his later claim to have smoked pot every day for 15 years, might have been -- but even then his politics were anything but tie-dyed. After opening the show with a prayer and Lee Greenwood's "God Bless the USA," Beck played patriotic music through the morning. The only track receiving multiple plays was a New Wave-ish spoof titled "Qaddafi Sucks." The song was a huge hit with listeners, dozens of whom called Beck to tell him how inspired they were by his patriotism. Caller after caller applauded him for "standing up for America." When someone argued that Reagan should have dropped more bombs, Beck agreed. "I personally don't think we did enough," he says. "We should've went over there [sic] and bombed the hell out of 'em."
Speaking of Glenn, check out this Salon piece about his guru, a famous right-wing crackpot named Cleon Skousen. I was shocked to learn of Beck's ideological connection to the author of the John Birch Society classic The Naked Communist, which one could find in NRA-member bookshelves throughout the Midwest when I was growing up, right next to the Readers Digest Condensed Books. (It's rather unnerving to find the direct Bircher connection, right there for everyone to see.) Thanks to Matttbastard for his ever-vigilant Tweeting!
La Lubu is guest-blogging at Feministe, which is always great news. She mentioned a DailyKos diary-piece titled How I lost my health insurance at the hairstylist's-- one of the most harrowing insurance-stories I've ever heard, and I've heard more than my share. For folks who wonder how an employed person loses health insurance after a serious and/or prolonged illness, this is the account to read. She explains, step by step, exactly how it happens. And it can happen to anyone, as it did to her.
~*~
I figured if I used my photo of the Lizard King sign, I should find something suitable to go with it. Snooping around, I found the most amazing video featuring home movies of Jim Morrison and Pamela Courson. Before you all yell at me, yes, I know he tried to kill her, etc....but I also found their relationship complex and interesting. Their weird symbiosis is evident in this offbeat collection of images.
Love Street - The Doors
Posted by
Daisy Deadhead
at
12:16 PM
Labels: Alcoholics Anonymous, alcoholism, Cleon Skousen, death penalty, Glenn Beck, immigration, Jim Morrison, Odds and Sods, Pamela Courson, politics, Texas, The Doors, Tibet, Twitter, universal health care
Friday, January 30, 2009
This is for Mike!
Don't wanna lose my cred as certifiably OLD SCHOOL, now do I?
In my 80s-music post on Wednesday, Mike commented that I needed to turn the clock back 10 or 15 years, so these next videos are for him!
~*~
This is like a really good movie! Great work... it was made by another young classic rock fan named Jordan Bell.
I have always imagined something remarkably similar when I hear the song. Love the hoodie-as-grim-reaper touch, where you never see the hitch-hiker's face. WELL DONE!
The Doors - Riders on the Storm (1971)
~*~
Watching the Sonic Youth video--which has already been removed "by the user"* (((curses substantially)))--I was puzzling over whether that was a quickie-shot of Joni Mitchell from LADIES OF THE CANYON, so I went looking for it. It is; the same head-shot is featured in this one.
And I was reminded of how very much I love this song. Very, very Lilith Fair, so if you don't like female-folkies, do not listen. After all, she is the prototype, my friends.
One of the first songs to pass the Bechdel test--a song about how much a woman admires and loves a certain group of other women, and wants to be like they are. (Just try to find another one this early... go ahead, I'll wait.)
I'd say she succeeded admirably, too.
Joni Mitchell - Ladies of the Canyon (1970)
~*~
Rather obscure Eagles song that I identified with in my youth. As a young woman, it was the first time I'd seen men acknowledge that some women may not enjoy constant sexual attention, and in fact, might even find it threatening, harmful, stifling and just thoroughly unwelcome. I therefore found it very validating at the time, although listening to it now, I realize it was an early sign I might have been in some trouble.
Or at the very least, I was getting pissed off:
there's too many hands
being laid on her
too many eyes will never see
that it's dragging her down
but you won't hear a sound
as she turns round
Obviously, a radical feminist in the making!
This song was written by Randy Meisner and Don Felder, sung by Meisner. Great guitar work and excellent production.
The Eagles - Too Many Hands (1975)
~*~
*We finally have a baddie to blame for this phenomenon... which I have complained about before. WARNER MUSIC GROUP, capitalist swine, are keeping us from looking at Sonic Youth, as well as several other videos I have already posted--and probably a few you've already posted too!
FREE THE MUSIC!
Posted by
Daisy Deadhead
at
11:41 AM
Labels: 70s, Alison Bechdel, bad capitalism, classic rock, Don Felder, Don Henley, Eagles, Glenn Frey, Jim Morrison, John Densmore, Joni Mitchell, music, Randy Meisner, Ray Manzarek, Robby Krieger, The Doors
Thursday, November 15, 2007
We're gettin tired of hangin around...
I've been told this song was popular in Vietnam, out in the bush. "When the music's over" as in, when you died: Music is your only friend/Until the end.
I've been wondering what songs the troops are listening to now, that have the same emotional resonance this once had for another generation of soldiers.
The Doors - When The Music's Over
I hauled this video out of mothballs to prove to my 20-something friend that Carlos Santana was once a beautiful, thin man with lots of hair:Santana - Soul Sacrifice (Woodstock 1969)
[via FoxyTunes / Soul Sacrifice]
Proof of greatness is when an 'unknown' can nearly steal a movie from the stars! I recently passed through HOT TOPIC and noticed all the Christopher Walken T-shirts. Apparently, he is particularly popular with the irreverent kids. But I've noticed that most of the kids don't know about his big acting break, so I hereby offer it here:
Walken in Annie Hall
[via FoxyTunes / Annie Hall]
Posted by
Daisy Deadhead
at
3:43 PM
Labels: 60s, 70s, Annie Hall, Christopher Walken, classic rock, culture, Iraq war, movies, music, nostalgia, Santana, teenage idols, The Doors, Vietnam, Woody Allen
