Showing posts with label Susan Sontag. Show all posts
Showing posts with label Susan Sontag. Show all posts

Sunday, December 30, 2012

Yearly round-up: books, movies, etc

At left, DVD cover, George Harrison: Living in the Material World





I just loooooved Martin Scorsese's documentary about George Harrison, my favorite Beatle, incredible talent and just plain awesome individual. George introduced that old-time religion to the West, and for that, he got more karma points than you and I put together. The mind boggles.

I appreciated the film's emphasis on George's spiritual journey, which was given all proper and due respect; possibly for the first time I can recall. In most accounts, it's always been some variation of "ohhhhh there's goes dreamy George off with his Indian gurus again..."

What does it mean when someone has more money, fame, attention, sex, etc than most of us can contemplate in our wildest fantasies... and yet, still feels that something is missing? George's life is an enduring testament to spirituality-as-direct-experience, that I have always found very moving and intense.

"GEORGE!!!!!!!" -- screams, squeals; Daisy momentarily reverts to childhood.

~*~

After viewing the somewhat-interesting Another Earth, I watched the second movie from screenwriter-actress Brit Marling, titled The Sound of My Voice. Great premise, as with Another Earth... but my grandmother's phrase, too clever by half, comes to mind. The movie tries to have its cake and eat it too... the ending is something of a cheat, in my humble opinion... although very clever (too clever by half). Describing the movie further, is to jeopardize the story and the ending, although lots of people have.

Both of these indie movies are similar in that they are 1) weird, and 2) ponderous and thoughtful. But more than that, one gets the impression that everybody sat around brainstorming, figured out the boffo endings first and then WORKED BACKWARD. Both movies seem to work up to the 'surprise' endings, stacking the deck in ways that seem overly obvious in retrospect.

One of the strengths of truly surprising, beloved and inventive film-endings, is NOT stacking the deck, and hitting you upside the head all at once: BAM. Think: The Sixth Sense, Fight Club. You DID NOT see it coming, or only glimmers of it, and those delicious glimmers made you sufficiently curious to continue watching. In addition, these movies were not ALL ABOUT the endings, and in fact, people continue to talk about both movies without even referencing the endings. In short, you do not have to love the endings to enjoy both films, and plenty of people disliked the endings who nonetheless greatly enjoyed the movies as a whole.

I don't think that is possible for either Another Earth or The Sound of My Voice, in which one continues watching just to see their respective endings. The actual content of these movies tends to disappear into some kind of cinematic vortex, and the END is the whole thing. The tension is ratcheted up so high, one is watching just to get to the resolution of the grand puzzle; this viewer-disposition is likely due to the fact that they imagined the ending first, and worked backwards, filling in the blanks.

To briefly summarize, The Sound of My Voice is about a cult leader who claims to be from the future. Is she? Well? And you keep watching to find out. Do you actually find out? That is the pertinent question: I think it cheats and you don't, or do, or sorta-kinda both. Huh?

If this plot-line interests you, check it out. Apparently, this was originally planned as the first film in a trilogy, and I'd be lying to you if I said I wouldn't watch the sequels. In fact, the film makes sense as one of a trilogy, in the sense that it might not (in that case) be a total cheat, but I was still a little pissed. Excuse me, but that's 85 minutes I'd like to have back, if you are not going to answer the fucking question. Hmph! (And at this point, it is not clear that they will even be able to make the sequels.)

Hello, lovely Ms Marling and company, this is what SERIAL TELEVISION is for. Maybe you should go to HBO or somebody like that next time, instead of seeking all that attention at Sundance.

~*~

I was sufficiently blown away by Damien Echols' amazing prison memoir, "Life After Death", that I did most of a podcast about it. I certainly cannot do it justice. If I had to recommend one book for the year, this would be it.

How does one keep from losing one's mind and/or being eaten up with fury, while spending 18 years (half his life) on Arkansas's Death Row, for something you didn't do? Another deeply spiritual testimony. His repeated use of the word "magickal" (for those things that transcend everyday-life and take us elsewhere), is just perfect, and aptly conjures up that momentary experience for us. If not for the magickal, some of us would shrivel up and die... and Damien was forced to cultivate the magickal in small, seemingly-inconsequential things (correspondence and pencil-sketches) and almost-forgotten memories, such as old mud puddles and songs he hadn't heard in decades.

A lesser-soul would have been completely destroyed. Many men (and yes, they are men) are completely destroyed, and he tells us all about that, too.

An uncompromising, poetic, breathtaking account. Go read it. Now.

~*~

Ayn Rand and the World She Made was some great reading, providing us with a detailed year-by-year account of Rand's life. Biographer Anne Heller obviously admired Rand, and that gives us the kind of intensity an Objectivist would deliver. The sexual abuse of starry-eyed-young-acolyte turned self-esteem-theorist Nathaniel Branden, is offered here in bright primary colors, so all you fellow scandal-mongers take note. (PS: And who knew that the former Nathan Blumenthal changed his name to one that had Rand's name embedded within? The book is full of GREAT GOSSIPY DETAILS like that.)

I came away convinced that Rand was a lifelong amphetamine-addict, which explained many of the awful extremes in her personality, particularly her ongoing personal paranoia. The fact that she surrounded herself with idolizing sycophants means that nobody challenged this facet of her character; to challenge her was to be consigned to the outer darkness, and few of her Objectivist cult/crew dared to go there.

And therefore, like so many other famous people we can name, she just got worse.

The book succeeded in making me compassionate for Rand, both as an intelligent woman who was often not taken seriously and/or understood, and as a drug addict who did not realize what was happening to her.

This doesn't mean she wasn't a horrific and selfish person; she was. But now I understand why.

And speaking of karma, Rand has plenty to answer for. Her influence on our government and economy has been widespread and damaging, starting with her acolyte Alan Greenspan getting his bullshit ideas taken seriously (while Rand herself could not) and getting himself repeatedly hired and promoted as some kind of economic genius. You can easily clock the deep influence of Rand on the Republican Party, including the fact that one of her fanboys recently ran for Vice President.

If you are interested in a thoroughly fascinating individual, a cultural touchstone and influential life--check out the Heller biography. Of all the books I have read about Ayn Rand (several), this one is the most comprehensive, descriptive and fair.

~*~

Sybil Exposed: The Extraordinary Story Behind the Famous Multiple Personality Case by Debbie Nathan, is indeed extraordinary. If you are a baby-boomer who read the popular SYBIL by Flora Rheta Schreiber in the 70s (and it seems that everyone did) and/or watched the TV-movie starring Sally Field (ditto), THIS IS FOR YOU.

Nathan's investigative account is about the genesis of the book; the psychiatric fraud/fakery and therapeutic-abuse propagated for the sake of money (and goodness, it poured in like water!). One fascinating subplot includes the details of how various psychological 'syndromes' are popularized and then streak through the population like wildfire. (Remember how "multiple personality disorder" became all the rage, with respectable stories on "60 Minutes" and so on?) Hey, when there is big profit to be made, people always materialize to make it. When the student is ready, the teacher will appear... and we might add, when the disease is invented, the doctor/cure will likewise appear, right on cue. For a fee, of course.

I am often reticent to talk about my ongoing skepticism concerning various hip diagnoses going around: bipolar disorder, ADHD, ADD, Aspergers, and so forth and so on. Everybody is depressed all of a sudden. And I see commercials for drugs, drugs, drugs, and dollar-signs are all over them.

This book renewed my skepticism, and made me feel okay about it. Psychobabble and hip mental-states/Dx go through recognizable phases and turn into fads (especially if there is profit at stake)... and somehow (just like religion) psychology always manages to renew itself and stay above the fray it creates. These charlatans never have to answer for themselves, and thus, they never do.

This is one such amazing tale. Highly recommended.

~*~

Other good books I enjoyed this year--

[] We Are Anonymous: Inside the Hacker World of LulzSec, Anonymous, and the Global Cyber Insurgency by Parmy Olsen, was really wonderful. I picked it up and did not put it down; all deep-internet (as in DEEP SPACE) junkies will enjoy it immensely.

[] As Consciousness Is Harnessed to Flesh: Diaries 1964-1980 by Susan Sontag (which I first mentioned here) has continued to shape my thoughts, months later.

One incisive quote concerning the change-in-consciousness wrought by television (and of course, even more accurate in the internet-era), which I scribbled down:

As the images multiply, the capacity to respond diminishes.
Yes.

[] Inside Scientology by Janet Reitman, is well worth your time. Short version: it's even worse than you think it is.

[] Millennium People, one of the last books by my favorite author, JG Ballard, which has only recently been published in the USA. WE MISS YOU, JAMES GRAHAM BALLARD!. Another excellent, related volume is JG Ballard: Conversations edited by V Vale, which has also been quoted here on DEAD AIR, at some length.

I return to it at regular intervals, to keep my sanity.

~*~

I am currently reading Teachings from the Medicine Buddha Retreat by Kyabje Lama Zopa Rinpoche, which is some rather dense and heavy reading... the kind of density that makes you read and re-read the same few pages, until you are sure you get it. And even then, you probably won't get it.

This encyclical contains lots of what the Baptists would call vain repetitions. The litany-reading, rosary-reciting ex-Catholic in me grimaces at still more verbiage that I must repeat. (sigh) Seriously, is there NO END to it?

Then again, it got George Harrison through. He faced his death on his own terms, unafraid. And it got Damien Echols through 18 years in solitary confinement.

And who could ask for more?

Sunday, September 16, 2012

Vegetarian intestinal distress leads to insightful thinking

I have discovered an excellent reason to stay vegetarian.

After a decade and a half, if you inadvertently eat anything made with meat, you barf your guts out.

I have been sick for several days... and my husband, who ate the same thing (and is not vegetarian) is just fine. It was not food poisoning... or rather, IT WAS, but not the usual kind.

For ME it was.

I guess there is no going back!

The item was already-prepared "chicken-fried tofu"--which I assumed (and you know what they say about that) was not actually fried in chicken. (After all, as Mr Daisy said, frying it in actual chicken fat kinda defeats the whole purpose of eating tofu in the first place, doesn't it?) It seems I have eaten it before (although hardly ever) and did not have this cataclysmic, days-long reaction... but I did eat a significant amount on this occasion. It has been horrific. I am genuinely surprised at my body's response.

It could also be that the person frying it, in this particular instance, went ahead and actually chicken-fried it and didn't consider trying to make it vegetarian. I have often tasted Chinese and other foods, duly advertised as technically "vegetarian" (as in, no meat in the actual recipe) but tasted suspiciously as if possibly dumped into the same wok as the chicken-fried rice, made earlier in the day... after a long time without meat, it jumps right out at you. But imitation-meat flavors are, admittedly, much harder to gauge... the whole focus of the flavor profile is the imitation-meat flavor.

I am not a purist, and I have eaten imitation-bacon-flavored potato chips and so forth, with no negative reactions. I read labels! (Of course, with prepared hot-bar foods, you can't do that.) A "flavor" is usually a chemical, and real meat is not the same as chemically-enhanced "meat-flavor" and never the twain shall meet. So, I assumed I was eating the equivalent of tofu fried in chicken flavors.

Wrong. My ailing intestines and tummy say otherwise.

As I said, sick for days. I even recorded my radio show while still suffering (the show must go on, and all that), so my pissed-off ranting came much easier than usual. Have a listen!

And pity the poor vegetarian who no longer has the 'choice,' as one always likes to think one does.

Perhaps this is a lesson about all such choices: after a certain point, you can't undo that choice, it is permanent. It is not simply a choice of the mind; the body, the life, is irreparably marked with it.

~*~

I have been reading Susan Sontag's diaries... and I am just so jealous of her brilliance. Her one-and-two-sentence observations, just while she is sitting on a beach or whatever, are far more brilliant, incisive, and genius than anyone else's (even as they congratulate themselves for their limited brilliance and clarity). My goodness, how I miss her. I always idolized her, and now I know why: this is the kind of public female intellectual that simply does not exist anymore. She was a pure product of her time.

One thing I did, was trot out to buy a little notebook and resolve to scribble my own (decidedly non-brilliant) observations in it. I can see that she would write lines that later ended up in her other books; ideas that would later direct her thoughts and passions. I can't tell you all how many times I have tried to remember what I was thinking back on Tuesday, only to forget all about it... one thing I have liked about blogging is how it is an accurate, uncensored record of our thoughts and feelings. I have decided keeping a notebook, even of one and two line-passages, is a way to make that even more detailed, more comprehensive, more precise.

~*~


Whilst recovering from my epicurean disaster, I watched TLC network, and although its hard to avoid the constant commercials for Honey Boo Boo (saints preserve us), I was very interested in the new show about conjoined twins Abby and Brittany Hensel. The TLC documentaries about their lives were well-received and popular, and I watched them a couple of times; this show is not surprising. They are extremely likable, smart, capable... and they don't seem at all disturbed that other people are disturbed by them.

In a very real sense, their lack of being disturbed is part of their unique condition: they are together. They are not alone. A person defined as "a freak" by our society, left all alone and gawked at unmercifully (i.e. the Elephant Man), tugs at our heartstrings in an almost-excruciating way. That poor soul, we think, nobody will ever understand him. But Abby and Brittany have each other, and they understand what the other is experiencing. Their very difference itself, makes them strong together. They murmur to each other, they make inaudible one-word remarks and grin. They are able to make fun of us right back. Therefore, they plow onward, unperturbed and undaunted. You can't help but be drawn to them.

And you know, the fact is, it is going to be hard for these girls to make a living in the regular ways. It isn't like they are going to get hired for the local Burger King or Dairy Queen. They are very logical and realistic young women, and at some point, I can see them sitting down for the cost-benefit analysis: okay, how are we going to make money? The Salon article I linked above, asks the obvious question, IS THIS A FREAK SHOW?--but forgets an obvious historic reality: people went into freak shows to be able to eat and find a warm place to sleep. Many of the people in the shows took the proverbial bull by the horns and started running their own shows and were able to retire in relative comfort. Others were exploited by ruthless circus-ringmasters. It was not always obvious which was which, simply by looking.

To me, as in the prostitution business, the question is: who is making the money? The fact is the exploitation, not necessarily the "freak show" aspect. After all, people surround these girls everywhere they go. They might as well start charging. How to do that in a civilized fashion? Reality TV seems to be the ticket. After this TV-series, people will surround them as celebrities, not (only) as 'freaks'. Also, people will have heard of them. They will know who they are and not drop their iced tea in the mall, and start following them around to be sure they saw what they thought they saw, as some reporter did some years ago in Minnesota's Mall of America. (And then, writing a really rude, gee-whiz-guess-what-I-saw article about them, that of course, I cannot readily locate now to properly link.)

Instead, they might actually get some respect, since Reality-TV celebrity is one of the few ways physically-different people can get some respect these days.

And may I also say: Its also very nice to see a whole Reality-TV show in which so many young women are portrayed as decent for a change, instead of the usual nasty, mean-girl bitches. It is heartening to see Abby and Brittany's female support network; when the gawkers descend, they close ranks around them and don't allow them to take unauthorized pictures and videos.

Now, that's something to be proud of, too:

[The TLC show] is unrelentingly positive, and at times flatout heartwarming. In the documentary about them at 16, their mother explained just how protective their friends were, closing ranks whenever anyone would stare at them. In college, the twins seem to have duplicated this kind of sheltered social environment. Unlike so many TV shows — reality and otherwise — “Abby & Brittany” is a kind of soothing ode to the niceness of 20-year-olds, and especially of 20-year-old girls. The women who live with Abby and Brittany [in their college dorm] are normal in that explicitly Midwestern way, which is to say, normal to the point of notability, grounded, smiley, well-adjusted, well-behaved, just like Abby and Brittany. The roommates are a sort of Greek chorus, supplying the audience with the information it needs — about the girls’ physiological differences, how much tuition they pay (one and a half) and the differences in their personalities — and also expressing their endless, genuinely heartfelt admiration of the two and their astounding simpatico.
I won't be able to stay away from the show, and ain't ashamed to say so.

Note: In keeping with the disability-rights concept that disability is a social construct, as I believe it is, I am tagging this blog entry with "disability"--although it is pertinent to note that Abby and Brittany are not "disabled"--as dwarves also are not. But their man-made environment (car seats, college desks, etc) DOES disable them, as it does very small people. People are "disabled" by environments and their minority status, even if they are in perfect health. (i.e. Severely scarred individuals are disabled by other people's reactions to them, not usually by the actual scars.) Just wanted to do a quick commercial for this radical perspective, since Abby and Brittany are a perfect example of it.

~*~

Other links inspired by my new notebook habit:

The Death of Sun Ming Sheu: A Government Sponsored Assassination? Thanks to Onyx Lynx!

William Gibson on Punk Rock, Internet Memes, and ‘Gangnam Style’ Required reading!


As regular readers know, I am fascinated by the multitude of changes wrought by our relatively new internet culture. And so is Gibson:
WIRED: In your essay in the new book Punk: An Aesthetic, you write that punk was the last pre-digital counterculture. That’s a really interesting thought. Can you expand on that?

GIBSON: It was pre-digital in the sense that in 1977, there were no punk websites [laughs]. There was no web to put them on. It was 1977, pre-digital. None of that stuff was there. So you got your punk music on vinyl, or on cassettes. There were no mp3s. There was no way for this thing to propagate. The kind of verbal element of that counterculture spread on mostly photo-offset fanzines that people pasted up at home and picked up at a print shop. And then they mailed it to people or sold it in those little record shops that sold the vinyl records or the tapes. It was pre-digital; it had no internet to spread on, and consequently it spread quickly but relatively more slowly.

I suspect — and I don’t think this is nostalgia — but it may have been able to become kind of a richer sauce, initially. It wasn’t able to instantly go from London to Toronto at the speed of light. Somebody had to carry it back to Toronto or wherever, in their backpack and show it, physically show it to another human. Which is what happened. And compared to the way that news of something new spreads today, it was totally stone age. Totally stone age! There’s something remarkable about it that’s probably not going to be that evident to people looking at it in the future. That the 1977 experience was qualitatively different, in a way, than the 2007 experience, say.

WIRED: What if punk emerged today, instead of in 1977? How do you think it would be different?

GIBSON: You’d pull it up on YouTube, as soon as it was played. It would go up on YouTube among the kazillion other things that went up on YouTube that day. And then how would you find it? How would it become a thing, as we used to say? I think that’s one of the ways in which things are really different today. How can you distinguish your communal new thing — how can that happen? Bohemia used to be self-imposed backwaters of a sort. They were other countries within the landscape of Western industrial civilization. They were countries that most people would never see — mysterious places. You’d pay a price, potentially, for going there. That’s always cool and exciting. Now, where are they? Where can you do that? How are people transacting that today? I am pretty sure that they are, but I don’t have that much firsthand experience of it. But they have to do it in a different way.
He's totally nailed it... and I think this explains why I am so startled by the lack of "loyalty"--the lack of "investment"--that young people have in the ideas and lifestyles they adopt today.

That's because they ran across it on the internet, exactly as if they were leafing through a catalog.

I realize now, this is what is behind my constant requests for "cred" in young internet-denizens who challenge me... their challenges are just another fun thing to do, whereas I take them very seriously as challenges to my self. That's because I take such aspects of MY SELF seriously; I sweat for my ideas and experience. I didn't just thumb through some catalog and decide, "I believe/like this; its cool, so its me."

This may also be the reason they rarely ACT on their political ideas, since no ACT was required to gain the knowledge, other than sitting and clicking. Back in the day, you had to work hard for your counter-cultural knowledge, and thus, for some inexplicable reason, you therefore felt obligated to act.

Yes, I know, this whole post is "tl/dr"--as the kids say. (stands for "too long/didn't read"--you didn't expect them to read anything LONG, did you? Is it longer than a soundbite? Fuhgeddaboudit!)

The protracted length is precisely because: I didn't really write it for them. ;)

Friday, October 9, 2009

Fascism is sexier than communism

Lara Logan, Chief Foreign Affairs Correspondent for CBS News, held forth at some length on the Charlie Rose show on Tuesday night. And in doing so, she deprived me of sleep. Her starry-eyed warmonger vibe was terribly disturbing, her bloodthirsty ranting and raving reminding me of General Jack D. Ripper in Dr Strangelove.

Dear God, I thought, I hope nobody else is watching this.

We must, she insisted, finish this war. More troops! (When pressed, she said at least 40,000.) She was adamant that we must track the terrorists into Pakistan and kill them all.

Logan clearly relishes repeating the word "kill"; she didn't use any of the new and improved euphemisms for warfare. I almost expected her to lick her lips in anticipation. I have rarely seen someone so exultant at the prospect of more war, of expanded war. And I realize, she startled me because she is a woman and I have seen advanced war-fever in women so very rarely.

Logan is beautiful, blond and South African. When she speaks of terrorist attacks on convoys, her eyes sparkle with vengeance. She reminds me of the character of Jane in VS Naipaul's novel Guerrillas, a beautiful British woman who also enjoyed being where the action is:

She was without consistency or even without coherence. She knew only what she was and what she had been born to; to this knowledge she was tethered; it was her stability, enabling her to adventure in security. Adventuring, she was indifferent, perhaps blind, to the contradiction between what she said and what she was so secure of being; and this indifference or blindness, this absence of the sense of the absurd, was part of her unassailability.
And this is what is so thoroughly hypnotic about Lara Logan: unassailability. Like Robert Duvall waving away the pesky incoming enemy fire in Apocalypse Now, one intuitively knows Logan will emerge intact, eyes gleaming, from any war she covers... possibly holding some executed terrorist's head aloft, as Judith brandished the head of Holofernes.

On some level, I am stunned that such an openly pro-war political partisan is considered an objective journalist. (If anyone still believes in "journalistic objectivity"--Lara will talk you right out of it.) Then again, it is entirely logical that this is the type of person who wants to charge right into the thick of it. Do we expect anti-war journalists to choose the wartime beat? (Ed Bradley was an exception, may his soul rest in peace.)

Undoubtedly, Lara Logan is a gal who loves her work.

Investigating, I see that Logan is married to a federal defense contractor from Texas whom she met in Iraq. (Well of course she is.) But then I find a series of cool stories on HuffPo about her. Our Lara is a homewrecker! The defense contractor already belonged to someone else when she met him. (And I can tell you right now, speaking of guided missiles, that dude didn't know what hit him.)

Keep your eye on her. She is our very own Tokyo Rose, threatening Al-Qaeda over the airwaves, pumping up the reputation of the US military and encouraging the never-ending storm of war-death to continue. She is a collaborator with the war, and takes a proprietary interest. She unabashedly loves it.

I expect her to enter politics. I predict she will go very far.




~*~

My wonderful blog post title comes courtesy of the late Susan Sontag.