Just returned from the local March Against Monsanto meeting. This event will be nationwide on May 25th.

Next meeting before the event will be at the Swamp Rabbit Cafe and Grocery, next Thursday at 6pm, yall come. In the meantime, please support Vernon Hugh Bowman in his fight against Monsanto's legal abuse.
~*~
As promised on the air today, here is the link to today's show. I started out a little jumbled, since we had some technical issues (we weren't in our usual studio and the acoustics were somewhat off), but I changed microphones, finally got going and tried to make some sense. Our first subject was the confrontation between trans activists and an anarchist group called Deep Green Resistance, while they were selling feminist books at the Law and Disorder Conference at Portland State University this past weekend. I react pretty strongly to defacing books or otherwise rudely rousting politicos at a table because it has happened to me many times; harassed by bikers at outdoor festivals for lefty literature, jeered at by fundamentalists at Occupy, and so forth and so on (in fact, I wrote about one such incident HERE). So, I asked, what IS hate speech and how should we handle it? One's person's hate speech is another person's Gospel (literally!), so what should we do in a pluralistic society that values the First Amendment?
Aside: I used to warn radical feminists that their eagerness to call everything (such as porn) 'hate speech' would some day come back to bite them in the ass, and here we are.
Increasingly, I am puzzled by trans activists' fixation on radical feminists (whom they call 'radscum'). Why not focus on fundamentalist right wingers who are far more numerous and say the same things? More to the point, the radscum do not seek to deny GLBT equal rights or try to keep folks from transitioning; they just argue (endlessly, relentlessly) about the physiological and social meaning(s) of "woman" and "female". The Christian fundamentalist Republicans think trans people should be forced to use their birth names on their drivers licenses and if they don't, locked up in mental institutions and/or arrested for fraud. Who is worse? And who has more power to enforce their prejudices?
Why not go after the REAL scum?
I'm ready when you are.
~*~
Today's blog post title comes from Steely Dan's excellent album, COUNTDOWN TO ECSTASY (1973).
As I continuously plow through Shantideva's The Way of the Bodhisattva, I just keep thinking of the lyrics.
Bodhisattva
Would you take me by the hand
Bodhisattva
Would you take me by the hand
Can you show me
The shine of your Japan
The sparkle of your china
Can you show me
Bodhisattva, Bodhisattva
I'm gonna sell my house in town
Bodhisattva
I'm gonna sell my house in town
And I'll be there
To shine in your Japan
To sparkle in your China
Yes I'll be there
Bodhisattva, Bodhisattva, Bodhisattva...
Bodhisattva - Steely Dan
Thursday, May 16, 2013
The sparkle of your china
Posted by
Daisy Deadhead
at
9:03 PM
Labels: books, Buddhism, Deep Green Resistance, feminism, free speech, GLBT, Law and Disorder, March against Monsanto, Monsanto, protests, Shantideva, Steely Dan, transgender, Vernon Hugh Bowman
Tuesday, March 5, 2013
Tuesday Tunes
Bad Sneakers - Steely Dan
~*~
It's a long instrumental, but its real purty, too. ("Richard Betts pickin on that red guitar!") Relax, breathe, and visualize yourself right next to a waterfall.
It won't be hard to imagine at all.
High Falls - Allman Brothers Band
~*~
I've heard this one a lot on this blog's namesake, the indispensable Uncle Dave's Dead Air. GREAT STUFF!
Ride Mighty High - Jerry Garcia Band
Posted by
Daisy Deadhead
at
4:53 PM
Labels: 70s, Allman Brothers Band, classic rock, Dickey Betts, Donna Jean Godchaux, instrumentals, Jerry Garcia, Keith Godchaux, music, Steely Dan, Uncle Daves Dead Air
Thursday, October 25, 2012
Taxes, Death and Trouble
Daisy's latest pesky earworms and other assorted music for your Thursday. Turn it up!
Only You Know And I Know - Delaney and Bonnie with Eric Clapton
Live from their British tour in 1969, also features George Harrison. YOWZA! Listen to them purty gee-tars! Excellent visuals, also.
~*~
That song reminded me of this one, since Delaney and Bonnie play/sing back-up... we also heard the Jerry Garcia Band's version on the indispensable DEAD AIR (namesake of this blog) last night.
Lonesome and a Long Way From Home - Eric Clapton
Rest in Peace, Delaney Bramlett. A true son of the south, you rocked the house with aplomb and style.
~*~
Got bluegrass?
Nice capsule history of this tune is provided before they break out the shit-kickin music. As I have written here before, my stepfather played bluegrass professionally, and he loved this song.
I always find it somewhat jarring to see bluegrass played by people wearing SUITS, ha.
Rocky Top - Osborne Brothers
~*~
They got a name for the winners in the world
I want a name when I lose....
Deacon Blues - Steely Dan
~*~
Super Motown finale!
This song was the theme to the movie of the same name. (The movie's protagonist is named Mr T, and I've always assumed that is where the famous Mr T got his name.)
Smooooooooth and nice as gravy on rice. Unbelievable talent.
Biographical aside: I used to listen to this song every day before I went off to slog through the 10th grade... for several months. It made me feel like an otherworldly being! Especially when combined with other things, but we won't go there...
I just love love love it, and I was somewhat surprised to discover, in a check of this blog... that I have never posted it before. (Must correct this situation posthaste!)
Trouble Man - Marvin Gaye
And yes, it's where we get today's blog post title. Rest in Peace, Marvin.
Posted by
Daisy Deadhead
at
2:56 PM
Labels: 60s, 70s, bluegrass, Bonnie Bramlett, classic rock, Delaney Bramlett, Donald Fagen, Earworms, Eric Clapton, George Harrison, Marvin Gaye, Motown, Osborne Brothers, soul music, Steely Dan, teenage idols, Walter Becker
Monday, January 9, 2012
Monday Music: Here at the Western World
Steely Dan - Here at the Western World
Posted by
Daisy Deadhead
at
12:21 PM
Labels: 70s, classic rock, Monday Music, music, Steely Dan
Saturday, September 17, 2011
Everyone's gone to the movies
The futuristic movie SURROGATES (2009) unexpectedly blew my mind... a culture in which affluent humans prefer to stay ensconced in their homes, behind closed doors, directing their (good-looking, able-bodied, young) android-selves (through which they see, smell, hear, taste reality as experienced by the android) was not as far removed from everyday experience as I thought it would be. I mean, I am typing on this contraption that people now use like a 'surrogate'--right? Various events are already not regarded as "real" to people unless they've seen them on TV, and it is through a similar smallish screen that people in SURROGATES engage their world. The people who don't, are either too weird or too poor, and are therefore dubbed "meatbags" for not getting with the surrogates-program.
Scificool.com gave the movie a mostly-negative review:It is the future, and lifelike robotic surrogates have become commonplace. In fact, they’re so commonplace that only a small portion of the population don’t use them, and these “dregs” of society have cut themselves off from the rest of the world to live in inner city reservations. They are led by The Prophet (Ving Rhames), a mysterious, homeless-looking fella who preaches revolution against the machines. The story proper begins when two surrogates are destroyed, resulting in the death of their human hosts – impossibility, we’re told by the creators of the machines.
But it wasn't the plot that bothered me, it was the underlying IDEAS the plot was based on. The kids at Scificool are already shrugging, but *I* was disoriented by the basic premise.
This is, in fact, the first-ever recorded murder of a human while “jacked in”. In a world where crime is no longer a viable human endeavor, and murder is practically non-existent thanks to the presence of surrogates, the FBI, led by Greer (Willis) and Peters (Radha Mitchell) are understandably shocked. But as Greer and Peters chases the killer, they begin to realize that a larger conspiracy is at work.
It was disturbing. I assume that's why it went straight to DVD ... nobody will pay money to go to a theater (their surrogate might) to ponder at length how seriously messed-up we are.
Because, you know, if there were surrogates, it would be just like the movie... that is the truly disturbing, disorienting thing. The perfection of the androids (like the perfection of movie stars) is intimidating, and the meatbags are at a clear disadvantage. A world of beautiful, fit androids means that more people would opt to live this way... in so many ways, we are herd animals. What if the herd stayed home en masse and sent androids out to work? Lots of people have said (when I have described the movie to them) they'd love the option of sending the android to work for them. But would that persona take over your life, becoming the only acceptable facade you can present to the world?
Mr Daisy has met the authors of the graphic novel, Robert Venditti and Brett Weldele, who say they weren't inspired by Philip K Dick or JG Ballard, but were most assuredly inspired by William Gibson. Bruce Willis doesn't mind going back and forth in his role; in the first half he looks like a movie star, blond hair, about 32 years old... then he abandons the surrogate for his true meatbag self, and he is bald, obviously aging, and banged up in a fight with scars on his face for the rest of the movie. The juxtaposition between him and the beautiful androids is striking. (I found Radha Mitchell largely unrecognizable, so she made an excellent android.)
The ideas in this movie gave me nightmares and continue to do so.
~*~
During the last couple of Thursdays, I huddled up with my bowl of popcorn to watch a night of fabulous Merchant/Ivory films on Turner Classic Movies... but wait. What?
Ask yourself, if a married couple made a slew of amazing, fantastic, Oscar-winning movies, do you think they might mention that? They mention Tracy and Hepburn, who were not even legally married. They mention Bogart and Bacall. They mention Judy Garland and Vincent Minelli. And these are only off the top of my head.
Ismail Merchant and James Ivory were partners. You know, PARTNERS? THOSE KIND of partners?
I recently got the smackdown on another blog for fulminating about this after the recent death of Ismail Merchant; I was self-righteously informed in short order that Merchant, in particular, was a "private man" and IF he was gay, it's nobody's business.
Really? And who decided that? Why is it nobody's business? Bullshit, of course it is. When Spencer Tracy protested that he and Katharine Hepburn's affair was nobody's business, did anybody listen? (Tracy was already married and as a Catholic, would not get a divorce; their decades-long affair was always technically an "adulterous" affair.) Why are we suddenly being polite and respectful when some celebrity tells us something is not our business? Since when?
I think some people don't WANT to know.
The fact that these great movies were made by loving partners, is a major reason why they are so wonderful. It is clear that the director and producer had a unified vision, and worked in harmony to bring it to the audience. Just as people enjoyed the witty repartee of Tracy/Hepburn or the sexual electricity of Taylor/Burton or Newman/Woodward... these couples crackled onscreen and made audiences curious about their private lives. Movie magazines delivered all the goods. They were not allowed to declare their private lives off limits, try as they might.
It was the stunning beauty of these films, that we now call "Merchant-Ivory" (a trusted brand name, a sign of high quality) that first made me curious also. How could these men, from such different backgrounds, make such identifiable, signature films, with such a definable point of view? When I discovered they were life-partners, I was not surprised. In fact, it explains so much about their work.
But alas, nobody will mention their domestic partnership when introducing their work on classic movie networks. They are officially "artistic collaborators" only.
Again, we see how gay people are disappeared by the culture at large, as heterosexuality, even openly illicit heterosexuality, is heralded.
~*~
NOTE: Today's blog post title is of course from STEELY DAN. I'd add the song itself, but I could only find a demo version, an outtake version and a 90s live version... arrrgh, if I can't have the exact version I first heard on KATY LIED, I won't print any of them. (musical snobbery)
But the one I linked is the closest.
Posted by
Daisy Deadhead
at
12:30 PM
Labels: Brett Weldele, Bruce Willis, celebrities, comics, gay marriage, GLBT, Hollywood, Ismail Merchant, James Ivory, movies, Radha Mitchell, Robert Venditti, SciFi, Steely Dan, Surrogates, Turner Classic Movies
Tuesday, August 2, 2011
Tuesday Tunes: Delta Moon and more
Yes, I have great music for the masses, as always.
You are hereby commanded to listen to THIS! Does this jam or what?!
Delta Moon - Ain't No Train
~*~
Time for Steely Dan! (You know you can't go very long on DEAD AIR without encountering Steely Dan.)
Some wit on YouTube suggested that whoever doesn't like this song, should drink their big black cow and get out of here. I concur.
Steely Dan - Black Cow
~*~
My late mama, whom I miss terribly, used to say (when profoundly disgusted with people she knew), "From now on, all my friends are gonna be strangers"... and that expression came from this song. She said it her whole life.
Pardoned by no less than Ronald Reagan (jingoism can be helpful, if you're talented), Merle Haggard, ex-convict, is legally allowed to check the N box on the "Have you ever been convicted of a felony?" question on future job applications.
He has such a classically beautiful country-and-western voice.
Merle Haggard - (All my friends are gonna be) Strangers
~*~
I know, we all love Bob Dylan, but after hearing this version, there simply is no other. (And I very much prefer JW's zinging electric blues-guitar to kazoos. Christ, what WAS he thinking?)
Yes, I think it can be EASily done... just take everything down to --
Johnny Winter - Highway 61
Enjoy!
Posted by
Daisy Deadhead
at
11:33 AM
Labels: blues, Bob Dylan, classic country, classic rock, Delta Moon, Johnny Winter, Merle Haggard, music, Ronald Reagan, Steely Dan
Saturday, April 9, 2011
Choctaw Bingo and other Saturday earworms
Lots of people prefer the original by John Prine, who wrote it... but I am partial to the version by the Man in Black.
Paradise - Johnny Cash
~*~
A great song about a drug dealer, although some have posited that it's actually about capitalism and bosses (Joe Strummer was red to the end). How fascinating that they are interchangeable!
Quite simply, some of the tightest rock music ever recorded.
Hateful - The Clash
~*~
Mimi Farina wrote this song about Janis Joplin, upon hearing of her passing in 1970... it was recorded by her sister, Joan Baez, in 1972.
Great photos of Janis in the video.
In the Quiet Morning - Joan Baez
~*~
You knew it was time for Steely Dan again, right? I tried to stay on topic about the economy and the budget and everything. ;)
Great graphics!
Black Friday - Steely Dan
~*~
As Charlie Daniels used to say, Time to Get Loud, Children. Starting at about 2:25, this boogies so hard, it will knock the mud right off your boots.
And check out Mary Huff's outfit, I MUST get one. (My late mama had that exact hairdo, exact color.)
Southern Culture on the Skids - White Trash/Greenback Fly
~*~
James McMurtry played Asheville recently, and I am told the entire audience knew all the words. (Well, of course they did.) I was fortunate enough to hear this performed live a few years ago, in a venue fulla rednecks jumping up and down. At the time, I realized, this was a quintessential southern moment, so it isn't surprising that "Choctaw Bingo" has turned into a southern anthem, of sorts.
Ann and Lynn come down from Baxter Springs
That's one hell raisin town way up in Southeastern Kansas
Got a biker bar next to the lingerie store
That's got them Rolling Stones lips up there in bright pink neon
And they're right downtown where everyone can see em
And they burn all night
you know they burn all night
you know they burn all night
And yes, you really should listen to all 8+ minutes, if you want the whole Choctaw Bingo experience. It's actually far better live, with raucous yelling and jumping-redneck accompaniment, but I could not locate a good live version, so going with the studio rendition for now.
Choctaw Bingo - James McMurtry
Have a great weekend everyone.
Posted by
Daisy Deadhead
at
3:12 PM
Labels: alt-country, classic country, classic rock, Earworms, James McMurtry, Janis Joplin, Joan Baez, Joe Strummer, John Prine, Johnny Cash, Mimi Farina, music, punk, rednecks, Southern Culture on the Skids, Steely Dan, The Clash
Tuesday, March 15, 2011
Goodbye, Bear
Chemist of the Stratosphere, Owsley Stanley, inventor of the Stealie (without which I would have no blog logo!) has died. I can personally attest that his infamous product rocked the house, featuring (borrowing a line from Hunter Thompson) "the Universal Symphony with God singing solo and the Holy Ghost on drums"... he was also the actual "Dancing Bear" in Grateful Dead iconography, for those who didn't know. He was the subject of the Steely Dan song, Kid Charlemagne. (I wrote about him in part, here.) He died in a car crash, of all things.
Rest in peace, Bear. There is a special place in heaven with your name on it, where the music never stops.
~*~
The near-total blackout of TV-coverage about Saturday's big rally here in South Carolina has depressed me. If a thousand people rally and nobody covers it, did it make a noise?
Wait, what am I saying, near-total? I think it was, in fact, total. The print media covered the rally in a somewhat cursory fashion, and at least one TV-station announced the rally in advance. There was some sporadic coverage, which I suppose is better than none. But several of us agreed that we saw NO TV-cameras at all, throughout the event.
I noted that there were a few radio-reporters present, God bless them. In particular, I saw hip-hop radio stations and black Gospel radio stations... are these the only two factions left in the state who will people tell the truth?
Apparently.
~*~
My sincere apologies for lack of brilliance. I have simply had NO TIME to write or even get my laundry done. And my Farmville crops keep dying! :( But I must admit, I love that T-shirt at the HOT TOPIC, Nobody Cares About Your Farm, and feel strangely compelled to buy it.
I hope to provide some pithy commentary by the weekend, so stay tuned.
Meanwhile, here is a very cool song about a great chemist. :)
Kid Charlemagne - Steely Dan
Posted by
Daisy Deadhead
at
11:49 AM
Labels: Farmville, Grateful Dead, hip-hop, Hunter Thompson, LSD, media, obits, Owsley, politics, psychedelic, radio, Rally for a Moral Budget, South Carolina, Steely Dan
Saturday, October 23, 2010
Steely Dan should have won the Nobel Prize
For some reason, woke up with Larry Carlton's killer riffs from this song all in my head. I think I must have dreamed about it.
I'd like to give him some special DEAD AIR award for playing guitar like that: LARRY CARLTON IS THE MAN.
Loooove this song, and I've played it here before.
~*~
Can you hear the evil crowd
The lies and the laughter
I hear my inside
The mechanized hum of another world
Where no sun is shining
No red light flashing
Here in this darkness
I know what I've done
I know all at once who I am
~*~
Don't Take Me Alive - Steely Dan
Have a great weekend!
Posted by
Daisy Deadhead
at
11:04 AM
Labels: 70s, classic rock, Donald Fagen, Earworms, Larry Carlton, Steely Dan, Walter Becker
Thursday, January 28, 2010
I wish they'd stop saying that...
General Announcement!
The Who without Keith Moon and John Entwhistle are not The Who. Thus, THE WHO are not playing the Super Bowl. HALF of The Who are playing the Super Bowl.
Just wanted to clear that up.
And now, some music with (among others) the REAL Who.
~*~
I have played this video before on DEAD AIR, but love it so much it gets a rerun. All that mods-on-speed dancing! Great cultural artifact, enjoy!
Keith looks about 14... in fact, by my estimation, he was only 18 or 19.
I Can't Explain - The Who (circa 1965)
~*~
Dirty Work - Steely Dan (1972)
~*~
Earworm time! This has been IN MY HEAD FOR TWO SOLID WEEKS! And then I always think of Bill Murray in Lost in Translation (three hanky alert for that clip, for those of you prone to sobbing in the middle of the day!)...
Check out Bryan's early-80s hair, very nice! Most guys who sat and watched themselves in a video-within-a-video? I'd make a nasty crack about narcissism... but this is Bryan Ferry, and as this song makes clear, he has earned the right to do whatever he wants.
More Than This - Roxy Music (1982)
~*~
More Than This - Bill Murray in Lost in Translation (2003)
Posted by
Daisy Deadhead
at
12:13 PM
Labels: 60s, 70s, 80s, Bill Murray, Bryan Ferry, classic rock, Earworms, John Entwhistle, Keith Moon, Lost in Translation, mods, movies, music, Pete Townshend, Roger Daltrey, Roxy Music, Steely Dan, The Who
Wednesday, October 21, 2009
You make the best of what's still around
Not enough bass on any of these songs. Turn up the BASS!
...
Dirt - The Stooges
Is Iggy saying "when you touch me" or "when you fuck me"? (Decades-old controversy!) He actually seems to be going back and forth, using both words; also "when you cut me"--which is what I always thought it was.
~*~
When the world is running down - The Police
Tell me where would I go?
I ain't been out in years...
~*~
Black Cow - Steely Dan
I'm the one
who must make everything right
talk it out
till daylight...
Posted by
Daisy Deadhead
at
4:51 PM
Labels: 70s, classic rock, Iggy Pop, punk, Steely Dan, Stooges, teenage idols
Monday, August 31, 2009
Faces shine, real low mind
Here's what I am listening to today. Join in, if you're of a mind to!
Hopefully, these will last. But YouTube is so busy removing videos, they could possibly be extinct by later in the week. If they are, I apologize in advance.
...
Okay, who among you knew that the Hill Street Blues TV-theme was written by Larry Carlton, the session musician who delivers the killer-guitar work in Don't Take Me Alive? (What did we ever do without Wikipedia?) And despite what you hear, it is "Bookkeeper's son," not "Poolkeeper's son." (Decades of arguments, once again, finally settled by the internet!)
I looooove this song, decided I would play it since it's about blowing people up and therefore sorta fits in with the whole morbidity/responsibility theme of this past week.
Here in this darkness
I know what I've done
I know all at once who I am
Don't Take Me Alive - Steely Dan
~*~
This incredible song has multiple chord/tempo/melody changes, zoom de zoom, zippity do dah, all in ... two minutes. Two. Minutes.
How the hell did they do this in two minutes?
This is, one presumes, how they got to be The Beatles.
Wait - The Beatles
~*~
This might be the greatest thing I ever heard, and 40 years later, let's hear the band that can sound this good!
Iggy 4-ever, as I used to write on the cover of my loose-leaf binders... my heart still jumps at the sound of the first few bars, and those bizarre noises he is making. :) (RIP Ron Asheton)
Down on the Street - The Stooges (w/Iggy Pop)
~*~
I discovered through my endless snooping that my 2nd husband is on his parish's prayer list. I confess, I would like to know why. Am I worried? Well, yes, no, maybe. You know the tangle of emotions you have when you discover something online about an ex, and up bubbles all that guilt, anger, remorse, all those juicy feelings.
Do I hope he's okay? Well, no.
Do I want him to suffer? Well, no.
You can see the dilemma, then.
(Not sure what I think of the video; first time I've ever seen it. Does beating a black man at billiards automatically make George "bad"--or is it the attitude?)
Bad to the Bone - George Thorogood and the Destroyers
~*~
Classic country time--with even more astounding Wikipedia revelations: Jessi Colter was married to Duane Eddy before she was married to Waylon Jennings! I had NO IDEA!
A shot of Waylon gets deposited at the end of this video, although I always thought his eyes were brown. Aren't they? (So, who exactly was she looking for?)
I have guilt over not including Jessi in my Diva round-up in June.
I'm Looking for Blue Eyes - Jessi Colter
~*~
And so, I now include Jessi's husbands out of respect. (I should have included Duane in my Instrumental Oldies post, but will try to catch him on part 2.)
Detour - Duane Eddy
~*~
Jessi heard Waylon's golden pipes and just went OOOOOOOooooooOOOOOHHHHHHHhhhh....at least I assume it was like that.
Blue eyes ain't nothing on a voice like this. :)
Dreaming my Dreams - Waylon Jennings
Posted by
Daisy Deadhead
at
2:29 PM
Labels: 60s, 70s, Beatles, classic country, classic rock, Duane Eddy, George Thorogood, Iggy Pop, Jessi Colter, Monday Music, music, punk, Ron Asheton, Steely Dan, Stooges, teenage idols, Waylon Jennings
Friday, October 10, 2008
Any major dude will tell you
I missed John Lennon's birthday, which was yesterday, October 9th (1940). He always told everyone (accurately) that he was born during the London Blitz.
I love this song, written mostly by John, but sung by George Harrison--assigned to give him confidence, so the story goes. (John sounded just like a boss!) This clip is from the film A HARD DAY'S NIGHT (1964). The song was written specifically for the movie AND for George. They all look beautiful!
Beatles - I'm Happy Just to Dance with You
~*~
Check out Donald Fagen's presidential endorsement!
And then, enjoy his band's old song:
Steely Dan - Any Major Dude Will Tell You
[via FoxyTunes / Steely Dan]
Posted by
Daisy Deadhead
at
12:38 AM
Labels: 60s, 70s, Beatles, classic rock, Donald Fagen, George Harrison, John Lennon, movies, music, nostalgia, Paul McCartney, Ringo Starr, Steely Dan, Walter Becker, you know who you are
