Showing posts with label Martin Scorsese. Show all posts
Showing posts with label Martin Scorsese. Show all posts

Sunday, December 30, 2012

Yearly round-up: books, movies, etc

At left, DVD cover, George Harrison: Living in the Material World





I just loooooved Martin Scorsese's documentary about George Harrison, my favorite Beatle, incredible talent and just plain awesome individual. George introduced that old-time religion to the West, and for that, he got more karma points than you and I put together. The mind boggles.

I appreciated the film's emphasis on George's spiritual journey, which was given all proper and due respect; possibly for the first time I can recall. In most accounts, it's always been some variation of "ohhhhh there's goes dreamy George off with his Indian gurus again..."

What does it mean when someone has more money, fame, attention, sex, etc than most of us can contemplate in our wildest fantasies... and yet, still feels that something is missing? George's life is an enduring testament to spirituality-as-direct-experience, that I have always found very moving and intense.

"GEORGE!!!!!!!" -- screams, squeals; Daisy momentarily reverts to childhood.

~*~

After viewing the somewhat-interesting Another Earth, I watched the second movie from screenwriter-actress Brit Marling, titled The Sound of My Voice. Great premise, as with Another Earth... but my grandmother's phrase, too clever by half, comes to mind. The movie tries to have its cake and eat it too... the ending is something of a cheat, in my humble opinion... although very clever (too clever by half). Describing the movie further, is to jeopardize the story and the ending, although lots of people have.

Both of these indie movies are similar in that they are 1) weird, and 2) ponderous and thoughtful. But more than that, one gets the impression that everybody sat around brainstorming, figured out the boffo endings first and then WORKED BACKWARD. Both movies seem to work up to the 'surprise' endings, stacking the deck in ways that seem overly obvious in retrospect.

One of the strengths of truly surprising, beloved and inventive film-endings, is NOT stacking the deck, and hitting you upside the head all at once: BAM. Think: The Sixth Sense, Fight Club. You DID NOT see it coming, or only glimmers of it, and those delicious glimmers made you sufficiently curious to continue watching. In addition, these movies were not ALL ABOUT the endings, and in fact, people continue to talk about both movies without even referencing the endings. In short, you do not have to love the endings to enjoy both films, and plenty of people disliked the endings who nonetheless greatly enjoyed the movies as a whole.

I don't think that is possible for either Another Earth or The Sound of My Voice, in which one continues watching just to see their respective endings. The actual content of these movies tends to disappear into some kind of cinematic vortex, and the END is the whole thing. The tension is ratcheted up so high, one is watching just to get to the resolution of the grand puzzle; this viewer-disposition is likely due to the fact that they imagined the ending first, and worked backwards, filling in the blanks.

To briefly summarize, The Sound of My Voice is about a cult leader who claims to be from the future. Is she? Well? And you keep watching to find out. Do you actually find out? That is the pertinent question: I think it cheats and you don't, or do, or sorta-kinda both. Huh?

If this plot-line interests you, check it out. Apparently, this was originally planned as the first film in a trilogy, and I'd be lying to you if I said I wouldn't watch the sequels. In fact, the film makes sense as one of a trilogy, in the sense that it might not (in that case) be a total cheat, but I was still a little pissed. Excuse me, but that's 85 minutes I'd like to have back, if you are not going to answer the fucking question. Hmph! (And at this point, it is not clear that they will even be able to make the sequels.)

Hello, lovely Ms Marling and company, this is what SERIAL TELEVISION is for. Maybe you should go to HBO or somebody like that next time, instead of seeking all that attention at Sundance.

~*~

I was sufficiently blown away by Damien Echols' amazing prison memoir, "Life After Death", that I did most of a podcast about it. I certainly cannot do it justice. If I had to recommend one book for the year, this would be it.

How does one keep from losing one's mind and/or being eaten up with fury, while spending 18 years (half his life) on Arkansas's Death Row, for something you didn't do? Another deeply spiritual testimony. His repeated use of the word "magickal" (for those things that transcend everyday-life and take us elsewhere), is just perfect, and aptly conjures up that momentary experience for us. If not for the magickal, some of us would shrivel up and die... and Damien was forced to cultivate the magickal in small, seemingly-inconsequential things (correspondence and pencil-sketches) and almost-forgotten memories, such as old mud puddles and songs he hadn't heard in decades.

A lesser-soul would have been completely destroyed. Many men (and yes, they are men) are completely destroyed, and he tells us all about that, too.

An uncompromising, poetic, breathtaking account. Go read it. Now.

~*~

Ayn Rand and the World She Made was some great reading, providing us with a detailed year-by-year account of Rand's life. Biographer Anne Heller obviously admired Rand, and that gives us the kind of intensity an Objectivist would deliver. The sexual abuse of starry-eyed-young-acolyte turned self-esteem-theorist Nathaniel Branden, is offered here in bright primary colors, so all you fellow scandal-mongers take note. (PS: And who knew that the former Nathan Blumenthal changed his name to one that had Rand's name embedded within? The book is full of GREAT GOSSIPY DETAILS like that.)

I came away convinced that Rand was a lifelong amphetamine-addict, which explained many of the awful extremes in her personality, particularly her ongoing personal paranoia. The fact that she surrounded herself with idolizing sycophants means that nobody challenged this facet of her character; to challenge her was to be consigned to the outer darkness, and few of her Objectivist cult/crew dared to go there.

And therefore, like so many other famous people we can name, she just got worse.

The book succeeded in making me compassionate for Rand, both as an intelligent woman who was often not taken seriously and/or understood, and as a drug addict who did not realize what was happening to her.

This doesn't mean she wasn't a horrific and selfish person; she was. But now I understand why.

And speaking of karma, Rand has plenty to answer for. Her influence on our government and economy has been widespread and damaging, starting with her acolyte Alan Greenspan getting his bullshit ideas taken seriously (while Rand herself could not) and getting himself repeatedly hired and promoted as some kind of economic genius. You can easily clock the deep influence of Rand on the Republican Party, including the fact that one of her fanboys recently ran for Vice President.

If you are interested in a thoroughly fascinating individual, a cultural touchstone and influential life--check out the Heller biography. Of all the books I have read about Ayn Rand (several), this one is the most comprehensive, descriptive and fair.

~*~

Sybil Exposed: The Extraordinary Story Behind the Famous Multiple Personality Case by Debbie Nathan, is indeed extraordinary. If you are a baby-boomer who read the popular SYBIL by Flora Rheta Schreiber in the 70s (and it seems that everyone did) and/or watched the TV-movie starring Sally Field (ditto), THIS IS FOR YOU.

Nathan's investigative account is about the genesis of the book; the psychiatric fraud/fakery and therapeutic-abuse propagated for the sake of money (and goodness, it poured in like water!). One fascinating subplot includes the details of how various psychological 'syndromes' are popularized and then streak through the population like wildfire. (Remember how "multiple personality disorder" became all the rage, with respectable stories on "60 Minutes" and so on?) Hey, when there is big profit to be made, people always materialize to make it. When the student is ready, the teacher will appear... and we might add, when the disease is invented, the doctor/cure will likewise appear, right on cue. For a fee, of course.

I am often reticent to talk about my ongoing skepticism concerning various hip diagnoses going around: bipolar disorder, ADHD, ADD, Aspergers, and so forth and so on. Everybody is depressed all of a sudden. And I see commercials for drugs, drugs, drugs, and dollar-signs are all over them.

This book renewed my skepticism, and made me feel okay about it. Psychobabble and hip mental-states/Dx go through recognizable phases and turn into fads (especially if there is profit at stake)... and somehow (just like religion) psychology always manages to renew itself and stay above the fray it creates. These charlatans never have to answer for themselves, and thus, they never do.

This is one such amazing tale. Highly recommended.

~*~

Other good books I enjoyed this year--

[] We Are Anonymous: Inside the Hacker World of LulzSec, Anonymous, and the Global Cyber Insurgency by Parmy Olsen, was really wonderful. I picked it up and did not put it down; all deep-internet (as in DEEP SPACE) junkies will enjoy it immensely.

[] As Consciousness Is Harnessed to Flesh: Diaries 1964-1980 by Susan Sontag (which I first mentioned here) has continued to shape my thoughts, months later.

One incisive quote concerning the change-in-consciousness wrought by television (and of course, even more accurate in the internet-era), which I scribbled down:

As the images multiply, the capacity to respond diminishes.
Yes.

[] Inside Scientology by Janet Reitman, is well worth your time. Short version: it's even worse than you think it is.

[] Millennium People, one of the last books by my favorite author, JG Ballard, which has only recently been published in the USA. WE MISS YOU, JAMES GRAHAM BALLARD!. Another excellent, related volume is JG Ballard: Conversations edited by V Vale, which has also been quoted here on DEAD AIR, at some length.

I return to it at regular intervals, to keep my sanity.

~*~

I am currently reading Teachings from the Medicine Buddha Retreat by Kyabje Lama Zopa Rinpoche, which is some rather dense and heavy reading... the kind of density that makes you read and re-read the same few pages, until you are sure you get it. And even then, you probably won't get it.

This encyclical contains lots of what the Baptists would call vain repetitions. The litany-reading, rosary-reciting ex-Catholic in me grimaces at still more verbiage that I must repeat. (sigh) Seriously, is there NO END to it?

Then again, it got George Harrison through. He faced his death on his own terms, unafraid. And it got Damien Echols through 18 years in solitary confinement.

And who could ask for more?

Thursday, February 9, 2012

Bring Joe-Bob back to the Drive-In, and other horrifying updates

Joe-Bob Goes to The Drive-In was the name of Joe Bob Briggs' old B-movie column in the Dallas Morning Herald. These reviews were compiled into a very entertaining book by the same name. The book's sequel was titled, of course, Joe-Bob goes back to the drive-in (introduction by Wayne Newton). Both books are totally indispensable and absolutely necessary for any serious trash-culture fan!

Joe-Bob Briggs was really John Bloom, and with his TEXAS MONTHLY writing partner, Jim Atkinson, wrote a very good true-crime account of one woman killing another with an axe. I sure never forgot THAT one! (Aside: An Amazon reader informs us that this woman, Candy Montgomery, is now a nurse in Atlanta... remind me never to go to the hospital in Georgia, for any reason.) He hosted his own TV show for awhile: Joe-Bob's Drive-In Theater. This was one of the great treasures of the 90s, my friends. You may also recall Joe-Bob as the host of the more mainstream 90s cable-show MonsterVision, which brought us some far-out B-movie classics, such as the inimitable Basket Case.

Joe-Bob has been in a few movies himself, and was even in the mini-series of THE STAND, playing a character named Deputy Joe-Bob Brentwood (attesting to Stephen King's excellent B-movie sensibilities). He was also in Martin Scorcese's Casino, one of my favorite movies, where you may remember him getting fired by Robert DeNiro and hollering in protest, "This is not the way to treat people!" (I remember thinking, is that Joe-Bob Briggs he is firing????) Unfortunately, his scenes were deleted from Texas Chainsaw Massacre II, which I am sure upset him terribly.

My question: WHERE is the contemporary Joe-Bob? Why are we Joe-Bobless? It doesn't seem fair that we have no trash-movie impresario on regular TV these days. (Note: I'm sure one of the millions of satellite channels has this kind of programming, but I refer to mass-market TV.) I grew up with horror movies hosted by the incomparable Ghoulardi of Cleveland, and I love that kinda stuff.

Come back, Joe-Bob!!! And no offense, but you can leave your politics back in Texas. Nonetheless, if I have to put up with Libertarian jabber to get some decent B-movies, I am willing to do that.

~*~

Some more stuff:

:: Conspiracy theories! As an ex-Yippie, I eat em for breakfast. (I also figured this would go well with Joe-Bob.) Bin Laden Death Deemed Murder of CIA Case Officer as 9/11 Coverup:

President George W. Bush knew Osama bin Laden was a CIA agent and in no way ever involved in 9/11. He knew bin Laden personally from family visits and knew bin Laden had been to the White House while living in the US under the cover name of “Tim Osmon.”

This has been verified by CIA officials.
It has? Well, color me surprised.

I definitely need to hear more about this one.

:: Monica runs a video from Ellen DeGeneres, calling out the "One Million Moms" (actually only 40,000) who have targeted her as a gay spokesperson for JC Penneys. (I also thought homophobes go well with horror movies, so that is the reason the link goes here.)

:: And finally, from Politico: The political transformation of Barack Obama, which has most assuredly been horrifying.

Add your own, play along at home.

Monday, July 18, 2011

Welcome to my breakdown

Looking at some famous movie-breakdowns and engaging in some general acting-out on this steamy Monday in the south.

I have helpfully catalogued some of my favorite nervous breakdowns in films.

Comments welcome, and feel free to link your own personal favorite personality-disintegrations on celluloid!

~*~

All alcoholics love this scene ... did he drink or not? Is a phantom bottle of bourbon as damaging as a real one?

Aside: I just love how Stephen King works in references to Maine in everything he does.



~*~

I have written about Roman Polanski's Repulsion before, and how great it is, despite my various "issues" with it (see link).

Here we see that Catherine Deneuve has totally lost her shit, and is afraid of a drippy faucet. As a result, big male hands start coming out of the walls... JESUS H CHRIST! If you are a woman, do not watch this at night, alone at home. (triggers and so on)



~*~

Unfortunately, embedding is disabled for this clip (as well as all of the others) of Charles Foster Kane's famous flip-out when Susan finally departs... but check those famous mirrors at 3:27... everybody stole from Orson Welles. I know most of the lines of the movie by heart.

~*~

In John Ford's The Searchers, Nietzsche's idea that in hunting monsters we must take care not to become monsters ourselves, is given a very good once-over. Although most Hollywood Westerns of the day were morally righteous and fairly unambiguous, this one sure isn't, and consequently didn't make a lot of money at the time. No one wanted to see John Wayne freak out, even in his controlled, macho fashion. It was UNBECOMING. And it is therefore vindication that the movie is now a classic. John Wayne's hyper-masculine cowboys (and impersonal characterizations) have not dated as well as his heartfelt, complex and true performance in the role of Ethan... which BTW, is also the name of one of John Wayne's sons.

Things to look for: 1) Racist or not, when they zoom in on young Lucy's face (19-20 seconds in) and she looks terrified and screams? I have never seen the fear of rape communicated so clearly and realistically in a film. (I realize it is supposed to be much worse than garden-variety rape by white men, but I still think the whole scene is primal.) As a young woman, it scared me to death. 2) Natalie Wood's sister Lana plays young Natalie as a girl, which accounts for the strong resemblance. 3) Notice the first part of this clip closely matches up with Mary McDonnell's childhood trauma in "Dances With Wolves"--wherein she is instructed to run away when the house is attacked by Pawnee. 4) Also notice at 2:33, the similarity to Luke Skywalker's home being destroyed; the scene is almost exactly the same. Both #3 and #4 are deliberate homages to the film. 5) Scene @ 4:45-- me and Mr Daisy sometimes say, "Put an Amen to it!"--when the situation requires. 6) When John Wayne desecrates the Indian corpse? (7:30) Viewers suddenly realize this isn't the John Wayne we're accustomed to.

It also shows us that he is becoming (or has become) the monster Nietzsche warned us about. A strongly subversive film, for its day.



~*~

I can't pick just one scene in The Conversation... so I hereby offer the trailer. If you have never seen this amazing movie, you need to rent it ASAP. Gene Hackman's finest hour, Coppola's mesmerizing genius; this is movie-making at its most wonderful. Hackman perfectly embodies an emotionally-repressed surveillance expert with a guilty Catholic conscience. Too great for words, and more pertinent than ever, in our cameras-everywhere age.

Stuff to look for: 1) Harrison Ford at 2:12; he has maybe 3 lines in the whole movie. 2) Teri Garr's scene was cut for first release, then put back in for DVD. As much as I love Teri Garr, the film is much stronger without her scene. Harry is a loner, and it is far more effective to think of him as not having a girlfriend, or anything approximating one. His infatuation with Cindy Williams also makes more sense if he is alone.



~*~

And the all-time greatest: "Here is someone who stood up."

I know ALL of the lines of Taxi Driver by heart. Every one. I enjoy injecting them into various conversations without people knowing who/what I am quoting.

But every now and then, someone says, "Travis!"

Nothing much to say about Travis... you either understand him or you don't.



Today's blog post title comes courtesy of Alice Cooper.