Nelson Mandela was buried today, in his ancestral village Qunu. I reprint the following comic in his honor.
For those who doubt that comics can be inspirational art, I defy you not to get chills and/or cry at the end. I first saw this on Tumblr and could not get it out of my mind. It easily eclipses all the TV-talking-heads trying to capture his spirit in mere words.
Invictus is by Australian artist Gavin Aung Than, at his amazing website, Zenpencils.com.
He's got a million of em, and I also greatly enjoyed his tribute to Roger Ebert. Great talent and great work!
Rest in peace, Nelson Mandela.
~*~
Sunday, December 15, 2013
Dead Air Church: Invictus, a tribute to Nelson Mandela
Posted by
Daisy Deadhead
at
1:45 PM
Labels: art, biography, comics, Dead Air Church, drones, Gavin Aung Than, Nelson Mandela, obits, political prisoners, politics, race, racism, Roger Ebert, South Africa, Zenpencils
Tuesday, February 5, 2013
African-American daughter of Strom Thurmond passes away
At left: the cover of Essie Mae Washington-Williams' biography, titled Dear Senator: A Memoir by the Daughter of Strom Thurmond. South Carolina Senator and proud Dixiecrat Strom Thurmond was the third-longest serving Senator in US history.
Strom Thurmond's mixed-race daughter, conceived with his family's 16-year-old maid and born in 1925, has passed on at the age of 87.
From the time I first moved to South Carolina in 1987, I heard rumors of Essie Mae's existence, but just found it so hard to believe. I didn't think there was any way the rumors could be true. Thurmond was the last of the old-school segregationists.
But I was repeatedly assured that the story was true. When she finally came forward after Thurmond died in 2003, I was not at all surprised, and I doubt anyone else was either.
From the Greenville News:
COLUMBIA — Essie Mae Washington-Williams, the mixed-race daughter of one-time segregationist Sen. Strom Thurmond who kept her parentage secret for more than 70 years to avoid damaging his political career, died Monday. She was 87.We mentioned Essie Mae's passing today on our radio show, Occupy the Microphone.
Vann Dozier of Leevy's Funeral Home in Columbia said Washington-Williams died Monday. A cause of death was not given.
Washington-Williams was the daughter of Thurmond and his family's black maid. The identity of her famous father was rumored for decades in political circles and the black community.
But not until after Thurmond's death in 2003 at age 100 did Washington-Williams come forward and say her father was the white man who ran for president on a segregationist platform and served in the U.S. Senate for more than 47 years.
"I am Essie Mae Washington-Williams, and at last I am completely free," Washington-Williams said at a news conference revealing her secret.
She was born in 1925 after Thurmond, then 22, had an affair with a 16-year-old black maid who worked in his family's Edgefield, S.C., home. She spent years as a school teacher in Los Angeles, keeping in touch with her famous father.
While Thurmond never publicly acknowledged his daughter, his family acknowledged her claim after she came forward. She later said Thurmond's widow, Nancy, was "a very wonderful person," and called Strom Thurmond Jr. "very caring, and interested in what's going on with me."
Several members of Thurmond's family didn't respond to messages seeking comment Monday.
Washington-Williams was raised by Mary and John Washington in Coatesville, Pa. Her world changed when she was 13 when Mary Washington's sister, Carrie Butler, told Essie Mae that she was her mother.
Washington-Williams met Thurmond for the first time a few years later in a law office in Thurmond's hometown of Edgefield.
"He never called my mother by her name. He didn't verbally acknowledge that I was his child," Washington-Williams wrote in her autobiography, "Dear Senator: A Memoir by the Daughter of Strom Thurmond."
"He didn't ask when I was leaving and didn't invite me to come back. It was like an audience with an important man, a job interview, but not a reunion with a father," she said in the book released January 2005.
It was the first of many visits between Washington-Williams and her father.
He supported her, paying for her to attend then-South Carolina State College at the same time Thurmond was governor. He also helped her later after she was widowed in the 1960s.
"It's not that Strom Thurmond ever swore me to secrecy. He never swore me to anything," she wrote. "He trusted me, and I respected him, and we loved each other in our deeply repressed ways, and that was our social contract."
Washington-Williams watched from afar as Thurmond ran for president as a segregationist for the Dixiecrat Party in 1948, saying "all the laws of Washington and all the bayonets of the army cannot force the Negro race into our theaters, our swimming pools, our schools, our churches, our homes."
Washington-Williams recalled once asking her father about race.
Thurmond defended his beliefs as part of the "culture and custom of the South," she wrote.
"I certainly never did like the idea that he was a segregationist, but there was nothing I could do about it," Washington-Williams said in 2003. "That was his life."
Thurmond later softened his political stance and renounced racism. But he never publicly acknowledged his oldest daughter or the active role he played in her life. Thurmond and his first wife, Jean, were married in 1947; she died in 1960. They had no children. He had four children with his second wife, the former Nancy Moore, whom he married in 1968.
Washington-Williams was left unsettled by her father's death. At her daughter's encouragement she decided to make her story public.
"In a way, my life began at 78, at least my life as who I really was," Washington-Williams wrote. "I may have called it 'closure,' but it was much more like an opening, a very grand opening."
A statue of Thurmond on the Statehouse lawn was originally cast saying he had four children. Thurmond's family agreed to have Washington-Williams' name added.
May her soul rest in peace... and may the south one day recover from Jim Crow.
Posted by
Daisy Deadhead
at
4:17 PM
Labels: African-Americans, biography, Black History Month, books, Civil Rights, Essie Mae Washington-Williams, history, race, racism, South Carolina, Strom Thurmond, The Dirty South
Saturday, April 10, 2010
Open: An Autobiography by Andre Agassi
Andre Agassi's autobiography, Open, was surprisingly wonderful. How rare to find an athlete with such articulate self-awareness. His memoir thoroughly convinced me that he really does hate the game of tennis, the game brutally forced on him as a child. Unfortunately, he can't quite stay away from it either, because it is the thing he knows how to do best in the world; the thing that makes him feel in control (as he never was during his childhood). A fascinating contradiction, and likely one that many child-stars have experienced.
What I kept wondering is: Why does this work so well?
Yes, we know it's bad to harass children to death...but take a look at those boffo results. (Obviously, this is what dad was thinking, too.)
Granted, it doesn't work on every child prodigy... After all, there were three sons before Andre, who failed and couldn't deliver, forever regarded by their father as disappointments and losers. Andre felt the pressure, as another tortured child, Michael Jackson (fifth son, to Andre's fourth) certainly felt it. I also think of Mozart, Patty Duke and countless others, including even Agassi's two wives: Brooke Shields and Steffi Graf. (Agassi is so deeply defined by his childhood-prodigy experience, that I seriously doubt he could bond with any woman who did not in some way share it.) At one point, Shields refers to Jackson as "just like us, he never had a childhood"--and it is clear that the show-biz kids identify very strongly with each other; the psycho-stage-parent thing is its own unique gestalt. (To his credit, Agassi doesn't take potshots at the infamous Teri Shields, but I would have.)
Agassi's father, an Iranian immigrant and former boxer working in Las Vegas (extremely determined to hit the big time), started on him when he was tiny. Andre daily faced a machine nicknamed "The Monster"--shooting tennis balls at him at a furiously fast rate. And little Andre hit them back, over and over and over, hour after hour, day after day. These sections are very difficult to read, since they are basically an account of child abuse. But it's legal child abuse. The book introduces us to a whole world of tennis camps and stage-dads, endlessly haranguing and pimping the kids. It's grueling and horrific. The Florida "tennis camp" is like Basic Training; they even sleep in barracks and eat gruel, shipped out by bus to a local school for prearranged half-days, which guarantees the kids plenty of time to practice, practice, practice. Hours and hours and hours. Andre learns to channel his considerable anger over these circumstances, into his game. He becomes a very aggressive, precocious player and enjoys beating everyone who takes him on. As a teenager, the capitalists come calling, giving him the endorsements he needs to drop out of school (in ninth grade) and hit the road. For a working-class kid who has always lived hand-to-mouth, the money is jaw-dropping and intoxicating, and he is quickly hooked on the life of a star. He collects an entourage, and the real games begin.
My question for discussion is: Does this child-prodigy-routine work or doesn't it?
I offer Andre, Mozart and Michael Jackson as proof that their dads seemed to be onto something. And as long as stage-parents can produce these kinds of results? The Oliver Twist-tennis camps will still be in business.
Would he have won eight Grand Slams without his father's horrible machine, firing those endless tennis balls at him and teaching him to return even the strongest, deadliest serve at astonishing speeds?
Can we make champions without child abuse? Would Michael Jackson and Mozart have existed without child abuse? Of course not.
It's a paradox. We watch the champions, we watch the movies, we watch the stars, and we are dazzled... but we also disapprove of the process by which they learned to dazzle us.
I speak as one long dazzled by Agassi's return volleys. And now I ask myself: was I dazzled by the results of child abuse? Apparently so.
Andre makes us aware. He had the awareness forced on him, and now, he shares it with us.
Posted by
Daisy Deadhead
at
9:36 AM
Labels: Andre Agassi, biography, books, Brooke Shields, celebrities, child abuse, childhood, Las Vegas, Michael Jackson, sports, tennis, the male dilemma
Tuesday, April 1, 2008
"The book is still the highest delight."
Left: Carolina Book Rack, Greenville, SC.
After my library preachment last Monday, an email pointedly asks me WHAT do I have against Barnes & Noble? Other than the fact that they drive out independent bookstores, not a thing.
The fact is: I've spent many hours huddled up in used bookstore-corners, perusing stacks of true crime, scifi, fantasy, mindless celebrity-bios, forgotten literary classics and wonky political paperbacks. There is something thoroughly magic about used bookstores; that musty-page smell lets you know you're in for shelves of fun. I'll buy a biography of Roger Vadim for a buck, but I won't buy it new. (I guess it's like waiting for movies to come out on DVD!)
Some of my sentimental favorites:
Jackson Street Books - Athens, GA. A landmark in Bulldog country! An autographed poster lets you know that REM shops here, but I've never seen them.
Open Book - Greenville, SC. Your humble narrator's first job in the upstate was for this Greenville institution. New and used books share space with countless chronicles of the Old South.
Downtown Books and News - Asheville, NC. Trendier sister bookstore Malaprops gets all the attention and the hotshot writers (with accompanying Big Events), but funky DB&N is dusty, musty, plays old soul music, offers abandoned copies of socialist newspapers for free, and has old strips of theatre seats you can sit in while you read. After looking at clean new books at well-scrubbed, hardwood-floors Malaprops, walk a few blocks over to DB&N and join the truly cool.
The mother lode was Atlanta's Oxford Books, now sadly defunct. May it rest in peace. Like Malaprops/DB&N, there was a well-scrubbed upscale version, and a funky used incarnation called Oxford Too, at Peachtree-Battle. A day at the double-Oxfords was a Christmas pilgrimage for me and Mr Daisy, a gift we always gave ourselves. The demise of the store(s) pained us greatly.
Politics and Prose - Washington, DC. Almost as wonderful as the old Atlanta Oxfords, but too far away for me to visit regularly. Harumph, harumph.
I'd love to hear about your favorites, and add a link if possible!
----------------
Listening to: The Jesus and Mary Chain - The Living End
via FoxyTunes
Posted by
Daisy Deadhead
at
9:02 AM
Labels: Asheville, Athens, Atlanta, Barnes and Noble, biography, books, bookstores, fantasy, Georgia, Greenville, libraries, literature, North Carolina, REM, SciFi, South Carolina, The Open Book, Washington DC








